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 V.19 No.43 | October 28 - November 3, 2010 
Electro Crash

Show Up!

Electro Crash

Electronic music has come a long way since Thaddeus Cahill began work on an electromechanical instrument, the Telharmonium, in 1898. Ferruccio Busoni in 1907 predicted electrical impulses as the basis for modern music. Luigi Russolo gave noise concerts as early as 1914. One can only imagine the grave-spinning disappointment of these visionaries when the synthesized bleats of disco or the now naïve sounds of such LPs as 1968’s Switched On Bach came about.

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Tierney Sutton
tierneysutton.com

Jazzed

The Bird Is the Word

The Tierney Sutton Band finds the mystic in the Great American Songbook

Gender has nothing to do with cojones. Anybody can have them. Two-time Grammy-nominated vocalist Tierney Sutton has ’em. That’s how she explains her performance of “It’s Only a Paper Moon,” the opening track of her latest, excellent recording, Desire.

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[click to enlarge]

Flyer on the Wall

Friend of the Devil

On Friday local bluegrass favorite The Saltine Ramblers will express its love for drug-addled hippies and extended guitar solos in a Halloween tribute set as the Grateful Dead. Also appearing is Zoë Fitzgerald, the time-travelling transvestite—glam rock alter ego of Santa Fe musician Joe West. Los Angeles old-time band Triple Chicken Foot opens (as itself, we assume). The 21-and-over show starts at 9 p.m. and unfolds at the Moonlight Lounge (120 Central SW). Artwork by Christoph Knerr. (Jessica Cassyle Carr)

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Song Roulette

Random tracks from Diego E. Montoya, fearless Alibi intern

Diego E. Montoya is a UNM student and Alibi editorial intern. He has a strong affinity for New Mexican music, which he exhibits on some days with sharp boots and a cowboy hat. However, he’s also a fan of the punk rock and has put an interesting spin on this week’s column—all random selections from a Warped Tour playlist. Below you’ll find no accordions, no polka beats and no mustaches.

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Sonic Reducer

The City Champs The Set-Up · The Suzan Golden Week For The Poco Poco Beat · Music is the Enemy Mr. Murdoch ... We're Ready for Our Target Audience

The Set-Up, the second record from Memphis trio The City Champs, conjures a funky, instrumental, Mid-South-style jazz sound. Hammond organ takes the lead, while guitar and drums provide complementary rhythm. Almost every track runs more than four minutes long but keeps the listener captivated with a jam-session-like flow. The album blends fast- and slow-tempos, mixing boogaloo and Stax-influenced soul jazz.

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Franks and Deans
Courtesy of the Artist

EVENT HORIZON (Thursday, Feb 23)

Buoyant and Rambling

Franks & Deans • punk rock, rock 'n' roll • Shrewd • Punctured Muffler • Silent Crush • metal

At some point during the progression of meta-ultra-postmodernism, it was only natural that a band covering Rat Pack tunes revisioned as rambling ska paeans or blisteringly buoyant punk anthems based on the imbibing and love-making habits of dudes like Frank Sinatra and Dean Martin would rise from the rocanrol cauldron. Well it's 2017 and such has indeed come to pass. The name of the band is Franks & Deans. They've succeeded by inflecting the sweepingly romantic, sometimes melancholy and nearly always self-referential ditties of these post-war, pre-rock vocal heroes with good-natured rhythms and danceable guitar leads—as well as an updated fashion sense that seems to borrow more from ZZ Top's summer style guide than from Robin and the 7 Hoods—that adds affable nuance to legendary, mid-century American popular music. Band members Rob DeTie, Mike "Pip" Ullemeyer, Hoss and Sampson await your indulgence at Low Spirits on Thursday, Feb. 23, and the admission price of $5 sure as heck beats dropping “Three Coins in the Fountain.”
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