Alibi V.19 No.45 • Nov 11-17, 2010 
Bad Religion will tell you about anarchy   and   sexual selection as seen in the peafowl.

Spotlight

There’s a Ph.D. in the Mosh Pit

Bad Religion celebrates 30 years of intellect

The early punks and pre-punks openly pursued starry-eyed deals with major record labels. The majors, however, felt burned by commercial failure and unprofessionalism (New York Dolls: “They’re junkies!” The Sex Pistols: “Loudmouth yobs!”) and wanted little to do with bands that followed. Smelling further disaster, the majors backed off until “safe” acts tagged as new wave appeared.

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Faun Fables
faunfables.net

Aural Fixation

Songtelling

Faun Fables’ animated music

Dawn McCarthy is an adventurer. When the musician behind Faun Fables answers the phone for this interview, the rushing wind and frequent connection breaks make it clear she’s on the road, in some rural area without good reception. A baby’s constant fussing and car noises increase the ambient fuzz, but through it all, McCarthy’s voice is calm and focused. The Bay Area-based musician has done plenty of touring—solo, as a duo, with a band and now with a new kind of group. “We have our kids with us. We have a really young one—4 months old—and we have a 2-year-old,” she says. “So it’s kind of an experiment.” Since McCarthy and the other half of Faun Fables, husband Nils Frykdahl, have already been on tour for a month and a half, it appears the experiment is working.

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Coffin Break

Behemoth Evangelion (Metal Blade)






One thing Gdańsk-based black metal master Behemoth has never suffered from is a lack of vision. Evangelion, the latest in a masterful BM triumvirate that began in 2004 with Demigod and continued with 2007’s The Apostasy, underscores the difference between real conviction and the poorly hewn philosophical drivel that plagues too many of the genre’s releases from a lyrical standpoint. On the contrary, Adam “Nergal” Darski and co. don’t dish out anything they haven’t thoroughly chewed. Rather than trade in dime-store Satanism and eye-rolling ritual, Behemoth takes gnosticism and hammers it into a cohesive lyrical fabric that glistens like fine tinwork. It all sits atop angular riffage rivaling just about everything available in a genre that continues to expand exponentially.

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[click to enlarge]

Flyer on the Wall

Mwah!

From The Rolling Stones to Rocky Horror, lip imagery is a constant in music art. Seen here, four hip-hop acts— ECID, Jordan Miché (Minneapolis), Noah 23 (Ontario) and K-the-i? (L.A.)—employ lip art for a trip around the West titled the “Attack of the Vampire Mermaid Tour.” Along with locals Omen 20012 and Sapience Christ, the performers appear at The Spot (504 Yale SE) at 7 p.m. on Wednesday, Nov. 17. Admission is $5. (Jessica Cassyle Carr)

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Duke City Music

Song Roulette

Obscure tracks from Derek Caterwaul

Derek Caterwaul is a promoter of local DIY music and arts events, as well as a DJ—most notably he’s a long-time host on KUNM’s “Music to Soothe the Savage Beast” on Tuesday nights. Appropriately, his contribution of random tracks may be the most obscure this column has seen since its inception a year ago.

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Courtesy of the Artist

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Their Kindness is Charade

Crystal Castles • electropunk, synth pop, witch house

Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats …
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Courtesy of the Artist

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Special Beat Service

The English Beat • ska

Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. …
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