Alibi V.20 No.2 • Jan 13-19, 2011 
Nancy Laflin worked to boost the music industry in New Mexico for nearly six years.

Music to Your Ears

An Uncertain Future for the New Mexico Music Commission

When Republican Susana Martinez was elected governor in November, her transition team informed all state political appointees—otherwise known as exempt workers—that they had to resign by Gov. Richardson's last day in office. New Mexico Music Commission Director Nancy Laflin was among those who lost their jobs. The agency—which was established by Gov. Richardson in 2005 and approved by unanimous votes in the house and senate in 2009—now has no paid staff.

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Tiny’s lounge on a Friday night
Amy Dalness

Jazzed

Fajitas, With a Side of Jazz

Tiny’s Restaurant & Lounge continues a Santa Fe musical tradition

Make no mistake. J.R. Palermo, owner of Tiny’s Restaurant & Lounge in Santa Fe, is a businessman. He’s the third generation of the place’s founding family—it was established in 1950 as Tiny’s Dine and Dance—and he continues the tradition by booking live music at the place. But the music has to carry its weight.

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[click to enlarge]

Flyer on the Wall

Clash of the Live Improvised Score

On Wednesday, Jan. 19, members of myriad local bands coalesce in an effort to produce their own special score for Clash of the Titans. Music for the film—an ’80s fantasy adventure based on Greek mythology—will be made at the Launchpad (618 Central SW) beginning at 9:30 p.m. Admission to the 21-and-over show is $3. (Jessica Cassyle Carr)

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Jessica Billey

Song Roulette

Deluxe Edition

Jessica Billey is a talented visual artist and musician. When she’s not making beautifully spooky paintings and prints, she creates music prolifically: Billey—who played in the Mekons and backed Smog—currently plays with gothic country band The Grave of Nobody’s Darling, experimental act Lionhead Bunny, Western swing duo The Blue Rose Ramblers, a new surf band called Phantom Lake. She even occasionally performs with electronic group R0773R B0U7D3R. On Wednesday, Jan. 19, Billey appears at the Launchpad with The Grave of Nobody’s Darling as part of an ensemble of groups improvising the score for the movie Clash of the Titans. We asked the Rio Rancho resident (by way of Chicago, circa 2005) to put her music library on shuffle. Below are the first five songs that surfaced.

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Courtesy of the Artist

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Their Kindness is Charade

Crystal Castles • electropunk, synth pop, witch house

Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
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Courtesy of the Artist

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Special Beat Service

The English Beat • ska

Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later,” the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here at the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.
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