Alibi V.20 No.3 • Jan 20-26, 2011 
Of God And Science—Jeremy Fine, Julian Martinez and Matt Domiguez

Spotlight

Black Rabbit

Of God and Science’s second album abounds with wandering pop

Since the beginning of time, or somewhere around then, the rabbit has been symbolically heterogeneous. Luck, innocence, fertility and trickery are all traits that surround the animal in folklore. This contrast is why Albuquerque’s Of God And Science chose the rabbit (indeed, the more mysterious black rabbit) as a mascot for a new album of mercurial compositions.

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Crocodiles are too cool for school in leather jackets and Wayfarers.

Aural Fixation

The Flesh-Eating Drone of Crocodiles

In the fall of 2009 I found myself in New Orleans again. I was celebrating a birthday and seeing shows I’d helped book for a New Mexico band. During that time, British group The Horrors was on tour and had a date at One-Eyed Jack’s, a small theater in the French Quarter. The opening act was Crocodiles, about which I knew nothing. The Horrors had recently made a shift from leather-clad garage rock to flowy-shirt post punk, and, for whatever reason, the band was clearly having a terrible night. Crocodiles, though, with buzzing guitars and indulgent disco beats, stole the show.

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[click to enlarge]

Flyer on the Wall

Vinyl Pestilence

A plague befalls the Blackbird Buvette (509 Central NW) on Tuesday, Jan. 25, when DJ Caterwaul debuts a monthly, ochre-colored night known as Low Life. Expect deep psych, garage, punk, freaky rock and other sounds from his musical dungeon. The tunes begin at 9 p.m. Entry is free, but only for those of legal drinking age. (Jessica Cassyle Carr)

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Dash Rip Rock

Song Roulette

Dash Rip Rock’s Bill Davis

Bill Davis is the singer and guitar player for Dash Rip Rock—a New Orleans-based country punk band that’s been at it since 1984. The group is bringing its energetic live show to the Launchpad on Sunday, when Dash Rip Rock opens for fellow New Orleans rock outfit Cowboy Mouth. To get a peek into Davis’ music library, we asked him to put his iPod on shuffle. Below are the first five songs that appeared.

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Courtesy of the Artist

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Their Kindness is Charade

Crystal Castles • electropunk, synth pop, witch house

Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
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Courtesy of the Artist

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Special Beat Service

The English Beat • ska

Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later,” the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here at the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.
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