Alibi V.20 No.16 • April 21-27, 2011 
Double Plow

Music to Your Ears

Two very different local acts are releasing shiny new recordings on Saturday, April 23. Read all about it after the jump.

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Aural Fixation

Sunshine, Lollipops and Rainbows

In a world of nuclear meltdowns, political deception and never-ending piles of laundry, most of us could use a little fantasy. With a frilly and fanciful spirit, the Weekly Alibi’s Group Hug created the Spring Social—an evening of treats, mirror balls, balloons, flowers, unicorn horns and shimmery sounds. You’re invited.
This ain’t Jed Clampett’s banjo.
Donna Correll

Spotlight

Earl Who?

An interview with Adam Hurt

The first name that pops into the brain whenever the word “banjo” is spoken is usually Earl Scruggs, who largely invented bluegrass banjo picking from scratch back in the ’40s. There are other banjo-playing styles, though, that are less well-known but just as captivating. Among aficionados of this kind of banjo picking, Adam Hurt is considered one of the best.
Justin Hood

Song Roulette

Random tracks from local hip-hop artist Justin Hood

Justin Hood is a local hip-hop musician and—once upon a time—was an excellent Alibi editorial intern. On Saturday, April 23, he releases The Falling Season at the Launchpad (618 Central SW). Peek into Hood’s music collection via the random selections below.

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Flyer on the Wall

All Locos Crabwalk

On Thursday, April 21, several diverse local acts— Chemtrail Pilot, Bud Melvin, Iceolus, Javelina, Cinik, and Blacker Guise (Alan George Ledergerber)—will form a circle. With the audience in the center, each will play one after another, around and around, until the result is one cacophonous improv session. The all-ages show happens at the Albuquerque Center for Peace and Justice (202 Harvard SE) from 8 to 11 p.m. Admission is by donation. (Jessica Cassyle Carr)

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Courtesy of the Artist

EVENT HORIZON ()

Their Kindness is Charade

Crystal Castles • electropunk, synth pop, witch house

Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
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Courtesy of the Artist

EVENT HORIZON ()

Special Beat Service

The English Beat • ska

Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later,” the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here at the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.
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