Alibi V.20 No.28 • July 14-20, 2011 ››
The Slow Poisoner
The archetypal journey of a one-man band
After realizing that working in a band was not conducive to his lifestyle, Andrew Goldfarb crossed the threshold into performing solo, fingering a guitar with his hands and beating drums with his feet. He underwent a metamorphosis, inventing a new personality—a traveling snake oil pusher, or tent-city preacher, or possibly a whacked-out Vodou mambo. One thing’s sure: The essence of all of these characters is present in his music.
This bird can sing
Growing up on Lower Ranchitos Road in Taos, Jennifer Robin had a poster of Paul McCartney hanging in her bedroom closet. This month, with the release of her new recording, The Bird and the Beatles, the jazzy, folky singer/songwriter is bringing her Beatles love affair out of the closet and onto center stage.
Random tracks from Colourmusic’s Colin Fleishacker
Colourmusic is a Stillwater, Okla.-based indie/neo-pscych/sex rock four piece. The band’s concept is based on the Newtonian theory that colors correlate with musical notes. On Wednesday, July 20, it brings its multihued performance to the Launchpad. Royal Bangs and The Great Depression open the 21-and-over show at 9 p.m. Eight ducats admits people into the venue. We asked Colourmusic bassist Colin Fleishacker to take his iPod for a spin and see what random items appeared. Below are the results.
[click to enlarge]
Flyer on the Wall
Nice symmetry and use of clip art here. Beloved local Southwest funk rock five-piece La Junta plays at Monte Vista Fire Station (3201 Central NE) in Nob Hill on Saturday, July 16, at 9 p.m. The 21-and-over show is free. (Jessica Cassyle Carr)
Courtesy of the Artist
Crystal Castles • electropunk, synth pop, witch house
Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
Courtesy of the Artist
The English Beat • ska
Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later”, the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here the the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.