Canadian rapper discusses day jobs, pretty hip-hop songs and his love of Albuquerque
By Summer Olsson
Buck 65 has created hip-hop music under the mainstream radar for more than two decades. Originally from Mount Uniacke, Nova Scotia, he taught himself to rap and DJ, then started recording in his bedroom. He’s earned a reputation for disregarding genre limitations. Buck 65, whose given name is Richard Terfry, raps over violins, collaborates with female vocalists in French, makes whole verses by cutting in single-word samples with turntables and does pretty much anything else he wants to. His new album, 20 Odd Years, is a tribute and testament to his life in music so far. Its 12 tracks, many of which were co-written and recorded with different collaborators, have snappy beats and smart lyrics. They also have lovely melodies, nods to multiple styles and equal parts of melancholy reflection and playful quirkiness. The Alibi called Terfry at his home in Toronto, during a few days off in the middle of his tour.
There are lawn chairs strewn across a sandy field, the sunset in front of you, Sandia Mountains behind you, people with picnic baskets, gourmet takeout, wine bottles and blankets. A singer stands on a trailer-turned-stage that’s painted to look like the New Mexican desert, complete with cacti and mountains against a blue sky. This is the Placitas Campfire Series.
Octopus imagery has reached meme status (while the meme has attained metameme status), but for good reason. Octopi posses eye-catching beauty, and the biology, behaviors and diversity of these aquatic creatures are just as mesmerizing. With the mighty, eight-tentacled invertebrate mascot on their side, three locals—Ghost Circles, Molat The Tank and Waiting For Satellites—fill Burt’s Tiki Lounge (313 Gold SW) on Friday, Aug. 5, around 10 p.m. (Jessica Cassyle Carr)
The Facebook event posting for the event featuring Japanese hard rock duo Mugen Hoso—as well as two of Burque's most shredded out, burning with black fire and tasty chops into noisy oblivion bands, Constant Harmony and Shrewd—says that the show will destroy the venue, Zullos on Wednesday, Sept. 19 beginning at 8pm. I certainly hope not, because many Downtown-going, music-craving peeps in town have discovered cool jams emanating from this relatively new joint and frankly it would be nice to see much more. Anyway, you can count on the Sillery siblings to rock the heck out as Constant Harmony while Shrewd is about as sonically screwed as it gets here in the high desert. To top it all off the headliners implore listeners who visit their website that they “must shout and dance when they see our show.” “Let's rock together!” the band further intones. And why not; for the price of a $10 cover and an ID that says you are 21+, you can't get closer to the rocanrol truth than this.
It's been 20 years since Lauryn Hill's ground-breaking neo-soul inflected hip-hop recording, The Miseducation of Lauryn Hill dropped. Since then, Hill's once for-sure-going-to-be-hot career has moved in fits and jumps as the artist behind such megahits like her rendition of “Killing Me Softly,” “Doo-Wop” and “Ex-Factor” wrestled with fame, responsibility and fans that blew both hot and cold as she faced media attention for erratic behavior and prison for tax evasion. This year's tour has been good to Hill though, and proves she's still able to pack big houses with her big sound. Lauryn Hill appears at Isleta Amphitheater on Monday, Sept. 24 at 6:30pm. Hip soul artist Talib Kweli and rapper Tierra Whack are also on the bill. Tickets range in price from $20 to $131 and this is an all-ages (13+) event.