Alibi V.21 No.10 • March 8-14, 2012 

Jazzed

A Master’s Voice

Jane Monheit brings “home” to Albuquerque

If voices could be bought and sold the way that, say, violins are, Jane Monheit’s instrument would likely command a pretty price. Few can match her silky, sensual sonority, which bathes the ears in pure acoustic pleasure. Makes you want to fill up an entire bathtub with that sound and take a full-body soak.

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Clockwise from top: John Dieterich, Ed Rodriguez, Satomi Matsuzaki and Greg Saunier
Sarah Cass

Spotlight

Language Fails Us

A talk with Deerhoof’s John Dieterich

Deep into a second decade of making music, Deerhoof continues to introduce avant anachronisms to the world of pop music. Ostensibly based in the Bay Area, Deerhoof’s music evokes specific San Francisco sound memories: crashing waves under the Golden Gate; the high-pitched squeal and hiss of the N Judah train; a mission junkie’s shuffle. Straying from the geographic origin that lends an aural palette to its songs, the band is spread throughout the country with drummer Greg Saunier living in New York, singer/bassist Satomi Matsuzaki “floating,” guitarist Ed Rodriguez in Portland and guitarist John Dieterich in Albuquerque.

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Music to Your Ears

We want you to show us photos of your record collections and practice spaces.

[click to enlarge]

Flyer on the Wall

Scrolls

Before heading to SXSW, local pop rock band Red Light Cameras plays a show with some out-o-towners at Low Spirits (2823 Second Street NW). The lineup includes one-man band Decker, acoustic indie act Dry River Yacht Club (both of Arizona), and indie rockers Brown Shoe (California) and Nick Jaina (Oregon). The 21-and-over show happens on Sunday, March 11, at 8 p.m. Admission is $8. Happy birthday, Chris. (Jessica Cassyle Carr)

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Courtesy of the Artist

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Special Beat Service

The English Beat • ska

Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. …
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