Alibi V.21 No.10 • March 8-14, 2012 ››
A Master’s Voice
Jane Monheit brings “home” to Albuquerque
If voices could be bought and sold the way that, say, violins are, Jane Monheit’s instrument would likely command a pretty price. Few can match her silky, sensual sonority, which bathes the ears in pure acoustic pleasure. Makes you want to fill up an entire bathtub with that sound and take a full-body soak.
Language Fails Us
A talk with Deerhoof’s John Dieterich
Deep into a second decade of making music, Deerhoof continues to introduce avant anachronisms to the world of pop music. Ostensibly based in the Bay Area, Deerhoof’s music evokes specific San Francisco sound memories: crashing waves under the Golden Gate; the high-pitched squeal and hiss of the N Judah train; a mission junkie’s shuffle. Straying from the geographic origin that lends an aural palette to its songs, the band is spread throughout the country with drummer Greg Saunier living in New York, singer/bassist Satomi Matsuzaki “floating,” guitarist Ed Rodriguez in Portland and guitarist John Dieterich in Albuquerque.
Music to Your Ears
We want you to show us photos of your record collections and practice spaces.
[click to enlarge]
Flyer on the Wall
Before heading to SXSW, local pop rock band Red Light Cameras plays a show with some out-o-towners at Low Spirits (2823 Second Street NW). The lineup includes one-man band Decker, acoustic indie act Dry River Yacht Club (both of Arizona), and indie rockers Brown Shoe (California) and Nick Jaina (Oregon). The 21-and-over show happens on Sunday, March 11, at 8 p.m. Admission is $8. Happy birthday, Chris. (Jessica Cassyle Carr)
Quintron & Miss Pussycat • noise, rock
The summer heat is draining. The news is depressing. Listening to the radio is usually draining and depressing. Step away from it all and rejuvenate yourself this Sunday, June 25, at Sister with a wacky, energetic performance from Quintron and Miss Pussycat, who promise an unparalleled experience complete with outrageous costumes, complex puppet shows, explosions and “Swamp-Tech” dance music imbued with the psychedelic spirit of New Orleans…
Courtesy of Reighnbeau
Reighnbeau • indietronica • Sazoram • electronic • Austin Morrell • rock
I have always been astounded by the potential of sound; for millennia, sounds have been pieced together in inventive ways, entrancing audiences and shaping emotion through music. Music to me is a thing of magic, constantly transforming into something new in the hands of those with the ability to harness that magic. Albuquerque native Bryce Hample, better known as the mastermind behind the surreal vibrations of Reighnbeau, is truly one of those wizards, an electro-maestro with a brilliant capability for intricately layering sounds where one would least expect, but where they truly belong. This Thursday, June 29, Reighnbeau will be transforming Sister into a dreamlike world of glinting shoegaze and celestial ambience, adorned by Hample’s remarkable capabilities for visual art and mesmerizing performance even as he concocts the magic of music before our eyes. Featuring opening performances from Sazoram and Austin Morrell, the cosmic stage will be set at 9pm. Be sure to get your tickets at the presale price of $5 before they go up at the door.