Alibi V.21 No.13 • March 29-April 4, 2012 ››
The Skatalites Won’t Simmer Down
Although only around for a year and a half in its original 1964 permutation, The Skatalites is an institution. Its musicians formed the backbone of ska, as well as offshoots rocksteady and reggae, and developed many of the playing styles associated with the genres.
Music to Your Ears
The Alibi’s Spring Social takes place Friday, March 30 at Launchpad with performances by Roo (post rock), Tall Boys (ABQ Boys Choir on stilts), Hyperland (cosmic electro), Tropical Girls (lo-fi beach synth) and DJ Mello (psych-n-soul).
Living in the Past
Ten-year Burque resident and human resourcer David Duncan is the owner of this fine antique music device. Via e-communique he discusses stereo equipment and century-old recordings.
[click to enlarge]
Flyer on the Wall
A dynamic show— Post War Germany (indie rock) and beatboxers Zack Freeman and Saywut?!—comes to pass on Friday, March 30, at 512 Yale SE, brought to you by Synchro Studio. This all-ages show begins at 8 p.m. Admission is $5. (Jessica Cassyle Carr)
Why? • indie rock, alt.hip-hop, alt.rock, pop, folk • Go Dark • experimental
If you want a reminder—and not from Radiohead—that hip-hop is everywhere, even in the indie rock that millennials are sorta into (but only after they listen to every goddamn thing they can find by Kendrick Lamar) then trip, trip, trip on down to Sister on Monday, Feb. 19 at 8pm for a recital of sorts by Cincinnati alt-rappers cum indie rock stars, WHY? Founded by a dude named Yoni in the distant and unremembered aughts, WHY? has gained traction among rockish young audiences with their pop-nuanced mash-up of rocanrol and hip-hop. They got all kinda crazy rhythms, jams and flows going on betwixt rock references and may do some drugs; their latest effort is called Moh Lhean, after all. Additionally, the critics at Allmusic have judged their music as “quirky” which oughta count for something, amirite? They do have some pretty righteous tuneage, including works like “George Washington,” “White English” and “Into the Shadows of My Embrace.” Seriously, this one's worth the price of admission and if you're into skinny jeans and man buns, then damn, get out there, girl! The cover is $15 to $18, 21+.