Indiegrass songstress Sage Harrington
By Captain America
Americana is the new punk rock. Like the early ’80s when any yob with a snarl and electric guitar called themselves punk, anyone today that has a thrift store banjo and name drops the Carter Family thinks they are folk musicians, deserving of serious listening and dollar-per-song downloads. Wrong.
Talkin’ Semantic Rhetorical Terminological Blues
The roots of bluegrass
By Steven Robert Allen
At a concert this Friday evening at the South Broadway Cultural Center, Blaine Sprouse, Peter Feldmann and Wayne Shrubsall will explore the origins of bluegrass, a genre that hasn’t been around that long, but that’s deeply linked to the ancient, weird, anonymous music sometimes called folk. The idea behind the show is to explore how old-time traditional music from Appalachia, along with elements from gospel and jazz, evolved into the musical form pioneered by Bill Monroe and his Bluegrass Boys in the mid-’40s.
Music to Your Ears
By Mel Minter
When she started working on her new album, Green, vocalist and activist Barbara Bentree just wanted to do an album of songs she loves. Then, while considering the purchase of a hybrid auto, she began to ruminate on the effort required to go green—from separating your trash to retrofitting a house with solar panels. Suddenly, Kermit’s song “Bein’ Green” took on new meaning, and Bentree decided to “look at traditional songs through an environmental lens.” With a lovely, clear, well-pitched voice that has a charming girlishness in the upper registers and a pleasing touch of sweetness throughout, Bentree walks a line between wonder and warning. With pop, jazz, Brazilian and new age touches in sterling arrangements by John Rangel, who appears on piano and synth, the nine tracks feature fine work by Marcos Cavalcante (guitar) and Joel Fadness (drums). Drummer Dave Libman guests on “The Planet Song,” an intriguing anthem by Wen Mull that’s full of synth magic. The album—nominated for six New Mexico Music Awards—entertains while raising awareness, with all revenues from CD sales going to the Natural Resources Defense Council, PETA, GreenPeace, the Sierra Club and Bioneers. The album release concert, appropriately scheduled for Earth Day, will feature Rangel, Cavalcante and Fadness, along with the Rio Grande School choir.
Kate McGarry Girl Talk · John Wesley Coleman III The Last Donkey Show · Phèdre Phèdre
This week we listened to Kate McGarry, Phèdre and John Wesley Coleman III.
Flyer on the Wall
Acid King, SuperGiant, Anesthesia, Shadow and Ash, Torture Victim, Skulldron, The Conjuring, and Jah Branch converge at the Launchpad (618 Central SW) on Saturday, April 21. The all-ages, metal-heavy fest—hosted by Burque smoke shop / tattoo and piercing salon / gift emporium The Zone—starts at 6 p.m. Tenderizor joins in for a 21-and-over after-show. Tickets are $10. (Jessica Cassyle Carr)
Neon Tommy/Katie Buenneke
Hozier • blues, indie, soul
By Cerridwen Stucky
You probably remember that in January a song filled the radio that made you say amen more than you had since going to church with your family as a child. Hozier’s “Take Me To Church” was in the top 100 singles in the U.S. for three weeks. His soft acoustic style paired with sorrowful crooning seemed to be just what the United States wanted…
Mikel Cee Karlsson
José González • indie, folk • Riothorse Royale
By Megan Reneau
Heads up—an angel named José González drops down from heaven and lands at Sunshine Theater on Monday, Oct. 12. González's voice is heavenly and when combined with his soothing classical guitar melodies, causes elation of the senses…
courtesy of the artist
Myra Melford’s Snowy Egret • piano, jazz, composer
By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
Kirra (OK) • rock • Bella Amore • Drink Me • Modus Operandi • Swylt at Duke City Sound Stage
Florida Georgia Line • country • Thomas Rhett • Frankie Ballard at Isleta Amphitheater
Hozier • blues, indie, soul at Sandia Resort & CasinoMore Recommended Events ››