Alibi V.21 No.17 • April 26-May 2, 2012 

Spotlight

Guitar Power

Every April for nearly three decades, the Gathering of Nations has brought indigenous groups from around the continent to Albuquerque to celebrate Native culture and traditions. The powwow, which claims the title of North America’s largest, is three days of music, dance, markets, food and cross-culturalism.

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Show Up!

A rundown of this week’s shows—from Navajo Nation-based queer dance-punk to Pittsburgh witch core.
Victoria Rogers

Jazzed Reducer

The Tribute Trio Unhooks Itself

The Tribute Trio—John Rangel (piano), Michael Glynn (bass) and Cal Haines (drums)—paid homage to iconic jazz pianists/composers in a series of monthly concerts from May 2010 to April 2011. Each focused on a particular pianist—except for the last. That final concert celebrated the release of the trio’s first album, Dedications, Vol. 1, which featured original compositions inspired by some of the pianists they’d been exploring. This week, they release Dedications, Vol. 2, with original compositions that find their inspiration across a wider landscape. On Vol. 2, the trio unhooks itself from specific pianists’ styles and explores its own identity with greater freedom. The high point comes in a tender homage to the trio’s artistic director, Victoria Rogers. Written by Rangel, the composition walks a line between jazz and classical terrains, offering an unguarded musical expression of gratitude that’s full of endearing quirks à la Satie (and à la Rogers). What the new release says more than anything is that the trio is its own man, with compositional skills and musicianship worthy of wider attention. You can catch an earful at the album release concert, where the CD will be available for a discounted price.

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Aural Fixation

Eat It

Music is a way to search for love and meaning, an avenue for people to plunge deep into their soul for an understanding of themselves and their world. “Weird Al” Yankovic knows our deepest part may be the stomach. For more than 35 years Weird Al has skewered popular culture and given us songs of food, animals and various absurdia. And on April 30, Weird Al brings his accordion and to-die-for hair to the Kiva Auditorium.

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[click to enlarge]

Flyer on the Wall

Deep Synapse Brain Massage

Styrofoam Sanchez, Hora Flora, The Jeebies, Kayfabe Quartet and Javelina coalesce into big bleepy, noisy, jazzy show. Happens on Monday, April 30, at 8:30 p.m. at the Albuquerque Center for Peace and Justice (202 Harvard SE). Admission is $5 and all-ages. (Jessica Cassyle Carr)

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Courtesy of Reighnbeau

EVENT HORIZON (Thursday, Jun 29)

You don't need rain to see this rainbow

Reighnbeau • indietronica • Sazoram • electronic • Austin Morrell • rock

I have always been astounded by the potential of sound; for millennia, sounds have been pieced together in inventive ways, entrancing audiences and shaping emotion through music. Music to me is a thing of magic, constantly transforming into something new in the hands of those with the ability to harness that magic. Albuquerque native Bryce Hample, better known as the mastermind behind the surreal vibrations of Reighnbeau, is truly one of those wizards, an electro-maestro with a brilliant capability for intricately layering sounds where one would least expect, but where they truly belong. This Thursday, June 29, Reighnbeau will be transforming Sister into a dreamlike world of glinting shoegaze and celestial ambience, adorned by Hample’s remarkable capabilities for visual art and mesmerizing performance even as he concocts the magic of music before our eyes. Featuring opening performances from Sazoram and Austin Morrell, the cosmic stage will be set at 9pm. Be sure to get your tickets at the presale price of $5 before they go up at the door.
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