Alibi V.21 No.27 • July 5-11, 2012 
Tatum knows how to wear a smart chambray button-down.

Spotlight

Wild Nothing

Jack Tatum’s indie pop revival

Wild Nothing is a one-man project of Brooklynite and Williamsburg, Va. native Jack Tatum. His music unapologetically harkens the twinkling melancholy of ’80s Britpop song and production qualities. In advance of a show at the Sunshine with Beach House, Tatum spoke with the Alibi about past, present and the definition of pop.

Music to Your Ears

Greased Up

It’s the child of country and Western and rhythm and blues, the hell-raising brother of rock and roll. Rockabilly roared into its own in the mid-’50s. Its rise was propelled by Sun Records owner Sam Phillips and his work with Elvis, which essentially repackaged a black sound for a white audience. Sixty years later, outfits here in Albuquerque keep that music alive—the acoustic slap bass, the electric guitar twang and the big, jumping beat.

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[click to enlarge]

Flyer on the Wall

Extra

Read about this five-way festo in the Club Calendar write up. Why the dualism? Because this flyer, and another flyer for the show, were the only good ones submitted this week. Nice work, noise people; I hope everyone fully enjoys that which you’ve promoted so artfully. Make more poster art, everyone else. (JCC)

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EVENT HORIZON ()

Why Not?

Why? • indie rock, alt.hip-hop, alt.rock, pop, folk • Go Dark • experimental

If you want a reminder—and not from Radiohead—that hip-hop is everywhere, even in the indie rock that millennials are sorta into (but only after they listen to every goddamn thing they can find by Kendrick Lamar) then trip, trip, trip on down to Sister on Monday, Feb. 19 at 8pm for a recital of sorts by Cincinnati alt-rappers cum indie rock stars, WHY? Founded by a dude named Yoni in the distant and unremembered aughts, WHY? has gained traction among rockish young audiences with their pop-nuanced mash-up of rocanrol and hip-hop. They got all kinda crazy rhythms, jams and flows going on betwixt rock references and may do some drugs; their latest effort is called Moh Lhean, after all. Additionally, the critics at Allmusic have judged their music as “quirky” which oughta count for something, amirite? They do have some pretty righteous tuneage, including works like “George Washington,” “White English” and “Into the Shadows of My Embrace.” Seriously, this one's worth the price of admission and if you're into skinny jeans and man buns, then damn, get out there, girl! The cover is $15 to $18, 21+.
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