Alibi V.21 No.32 • Aug 9-15, 2012 
Charley Patton—father of the Delta blues

Music History

Delta Dawn

How Sears, Roebuck & Co. midwifed the birth of the blues

In the popular telling, Delta blues musicians were tragic figures, singing out for personal solace. Though romantic, this story ignores the spirit of the bluesman himself, and the commercial and technological advances of the early 1900s.
Heidi Swedberg

Music to Your Ears

Saturday entertainment includes a sukey jump / ukulele workshop, and the final installment of Jazz & Blues Under the Stars.

[click to enlarge]

Flyer on the Wall

Rock and Roll Fantasy

This typeface is not absurdly tough, yet its pointiness and near-illegibility lends a special aura of mystery that suggests magic, action and adventure. Find those things on Friday, Aug. 10, at the Launchpad (618 Central SW). Tenderizor, Glitter Dick, Contortionist and Drought conjure rainbows in the dark (and the like) beginning at 9:30 p.m. Admission is 21-and-over and $5. (JCC)

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Courtesy of the Artist

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Their Kindness is Charade

Crystal Castles • electropunk, synth pop, witch house

Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
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Courtesy of the Artist

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Special Beat Service

The English Beat • ska

Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later”, the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here the the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.
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