The Ghost Bike in Laguna
By Patrick Lohmann
John Anczarski, 19, was cycling across the country with three friends to raise money for breast cancer research. The University of Colorado student began his trip in Pennsylvania and was heading for San Diego. He was 10 days from his destination on June 21 when an SUV in Laguna, N.M., ran him off the road. He suffered head trauma and died the next day at UNM Hospital.
A Question of Descansos
By Patrick Lohmann
The city and state have gone back and forth on whether they will allow ghost bikes to stand. Jennifer Buntz, president of the Duke City Wheelmen Foundation, champions the memorials for cyclists killed by motorists around the state.
Downtown’s Segway police
By John Bear
Officers Jerome Armijo and Carmen Michaud catch a woman jaywalking at First Street and Central, just across from Alvarado Transportation Center. They run the woman’s name and it hits: She is wanted for felony burglary. After placing her under arrest, they call a detective.
Ortiz y Pino
Clash of the Governators
Or so the Martinez camp would have us believe
By Jerry Ortiz y Pino
Watching Susana Martinez' gubernatorial campaign ads, I've been struck by how much they seem to be in sync with many of this summer's big-budget flicks. I suppose both her politics and our taste in fantasy are reflections of our national mood in 2010.
Odds & Ends
By Devin D. O’Leary
Dateline: New York—A New York City man is being sued after losing track of a $1.35 million painting during a drunken night on the town. According to court papers, James Haggerty says he lost the Jean-Baptiste-Camille Corot masterpiece “Portrait of a Girl” after a night drinking at The Mark hotel in Manhattan. Kristyn Trudgeon and Tom Doyle, who co-own the painting, had hired Mr. Haggerty to assist with its possible sale to London gallery owner Offer Waterman. Mr. Haggerty was ordered to take the painting to The Mark, where Mr. Waterman was staying, so he could see it in person. Ms. Trudgeon’s lawsuit, filed in New York Supreme Court, says hotel security footage shows Haggerty leaving the painting at the front desk and entering the hotel’s bar with Waterman at 11 p.m. At 11:30 p.m., the two men return to the lobby, retrieve the painting and have a discussion. “Something just didn’t feel right and I didn’t want to be involved,” Waterman told the New York Daily News. “So I said no, and I said goodbye.” The lawsuit alleges Haggerty redeposited the painting at the front desk and returned to the hotel bar, where he stayed for 90 minutes. At that point, he returned to the lobby and stumbled out of the hotel with the painting, declining a doorman’s offer to call him a taxi. Haggerty finally returned home at 2:30 a.m.—without the painting. The next morning, he phoned Mr. Doyle to inform the owner he could no longer account for the million-dollar-plus painting’s whereabouts. “I think he’s a complete fumbling idiot,” Ms. Trudgeon was quoted as saying in the New York Daily News. “He’s just a complete asshole.”
The Alibi presents itself as a publication for both women and men. So I'm wondering how an adjective like "douchey" (which is a put-down based on anti-female sentiment) is acceptable in a movie review. But there it is in Scott Pilgrim vs. The World [Aug. 19-25] by Devin D. O’Leary. I'm sure you decry the violence against women across the world and locally. Are you not able to see the connection between casual put-downs of women in what you print and the treatment of women? Please, get a clue.
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