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 V.19 No.46 | November 18 - 24, 2010 

Culture Shock

 
John Bear
 

The Art Is Getting Away

I was a teenage tagger. My high school was administered by lapdogs of the dark prince. The only logical way to deal with them was to grab a fat-tipped marker and write a three-, four- or five-letter moniker, probably with the word "one" tacked on to the end (BEARONE, for example). The adults hated graffiti more than anything.

To add a little extra spite, I wrote it across my baseball cap and vehemently denied I was the one who did it. I ended up in the principal’s office frequently. It was there where I learned the power of denying everything.

The tagging, of course, spilled out into the streets of my neighborhood. My mother kept a can of graffiti removal spray on hand at all times. Sorry, mom.

My career ended suddenly. All of the other taggers hated me. One stuck a loaded .38 revolver in my face because he felt I had disrespected him in a sketch book. (He later went to prison for armed robbery.)

So I quit caring about graffiti for a long time, even going so far as to hate it. Then I started working at the Weekly Alibi as the Arts Editor and wrote a story about the street art exhibit over at 516 ARTS. It rekindled my interest. I stop and read the writing on the wall, once again.

I live in Belen, the home of a large railroad interchange. Dozens of trains are parked on the sprawling yards in the center of town. I stopped by there last week, having not been in several months. The train cars are covered in bright, multicolored art.

Sorry, did I say art? I'm sure the good people at the BNSF Railway Company don't think it's art, but vandalism. Still, when French filmmaker Catherine Breillat was asked if the sex in her films was art or pornography, she said the answer was simple: If you ask the question, it's art. The same seems to go for graffiti. Art can be vandalism. The two aren't mutually exclusive. And it might even be better if there are possible legal ramifications accompanying it. It takes a high level of commitment to commit felony property damage in the name artistic expression.

I digress. With spray-can art from all over the North America, the yards of Belen are worth the 30-minute drive. The people who bomb trains tend to know what they’re doing. Sure, there’s still some of that half-assed scrawling, but most of it’s fascinating—crazy, swirling letters, hard to read but equally hard to look away from. Even more impressive is that it’s done in the dark with the constant threat of police intervention looming. The transient qualities of graffiti are in full bloom here. No two combinations of trains will ever be the same. It's the sandpainting effect.

Check it out while staying off railroad property. You can look from First Street, which runs parallel. But don't go on the yard, lest ye incur the wrath of the rail police. Have fun.

Public Comments (5)
  • Art of the people  [ Thu Nov 18 2010 1:55 AM ]

    Truly one of the great things about the arts section under the helm of the Bear is the expansion of its boundaries for allowing an appreciation of creativity's many forms. All artistically sound in the way that the less trod path is often most enriching for the journey. Everybody makes something that can be considered art. You need not be told what's good. It's in the beholder's eye.

    Nice point made.

    Nice observation via the metaphor of what others consider a nuisance for this piece. Seems others miss out on life's color while too busy discerning its hues.

  • Culture Shock-The Art Is Getting Away  [ Tue Nov 23 2010 8:47 AM ]

    This is inresponse to Bear's column.....I myself produce and have been creating graffiti art for many many years. I derive from a time in graffiti when it was labeled "tag bangin'". I can relate to Bear's situation on being confronted.....but in the end, I still do my graff wherever I please. I totally agree that Art can be vandalism, but what society needs to understand is that it creative destruction, just as cities build new living habitats for people-we destroy wildlife n shit....but that's a whole other ball game......the point that I'm getting @ is that, individuals such as myself that are out risking ourselves for the sake to have people know that, "hey I do exist and fuck who don't like it" is what continues to move me in the direction to keep doing my scribes, throw ups and murals......maybe you will see me up maybe not.....I will continue to hit up train boxes till tha man up above allows me to-good column, stay up and outta the 4 wall box! Peace!

  • Self Centered  [ Tue Nov 23 2010 10:59 AM ]

    Graffiti artists only care about themselves. Why don't you try buying a canvas and stop ruining property that isn't yours. Someone should come and spray paint all over your belongings.

  • Once  [ Tue Nov 23 2010 4:05 PM ]

    ... someone tagged my '63 Valiant. Why would anyone tag a car in the parking lot outside of Big Lots?

  • Not an Artist  [ Fri Nov 26 2010 4:55 PM ]

    Tenpin, whom I assume considers him or herself a champion for the arts seems to be a bit closed-minded when it comes to acceptable mediums of expression. Makes me wonder whether this person would say artists utilizing other alternative or mixed media also "only care about themselves," or tell a sculptor or performance artist that their creations aren't valid simply because they were produced on a canvas. Tattoo artists use skin as a canvas. Some artists work with leather, and some even use nothing more than candy and the human body to create beautiful photographs. (Oh, wait, that's not done on a canvas, so it must not be acceptable)

    What's probably most interesting is that every SINGLE piece of art is created by a self-centered person. He or she has something to share and wants to show their skills in expressing it.

    If anything, pin's comment simply adds legitimacy to the question in Mr. Bear's article about whether graffiti constitutes "art." One simply has to look at the maelstrom of colors and balance of crisp and blurred lines to realize, though it may not be the viewer's favorite style, it IS beautiful.

    I think it's interesting that some of the very first examples of human expression were nothing more than pigments smeared on cave walls (which I'm pretty sure didn't BELONG to anyone save for mother earth, and weren't bought a effing Hobby Lobby). Would Tin be willing to say the carvings at Mt. Rushmore constitute vandalism as well?

    "God, why didn't the sculptors just buy a gigantic canvas instead of carving all over mother nature's property?" Funny how the rules bend.

    A mon avis, spray painting other people's belongings creates simply beautiful works that EVERYONE can enjoy by simply walking to work, school or with a date. Good luck buying a canvas large enough to warrant the attention of everyone down the block. Don't get me wrong, I know there's the occasional "F-you" crudely scrawled across train cars and buildings, but for the most part, graffiti artists (yes I said artists)create some beautiful displays.

    Perhaps a look at the paint itself rather than the surface on which it's applied might not make graffiti so annoying to some.

 
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