Victims of strict Catholic educations can purge some of their residual pain by attending Vicki Quade and Maripat Donovan's Late Nite Catechism, a comedy that will run for 16 performances from March 2 through March 16 in UNM's Rodey Theatre. Even non-Catholics will probably appreciate this funny look at classroom authoritarianism. Beware the paddle. Tickets are $32. (800) 905-3315.
Ch-ch-ch-changes. Mary Zimmerman's play Metamorphoses, based on the mythical tales of Ovid, created a lot of hoopla as an off Broadway production in New York. Now director Denise Schultz brings a version to UNM's Theatre X. The UNM production will incorporate puppets and masks, but because of its risque nature it's not recommended for kids under 16. Metamorphoses runs Wednesday through Saturday at 7:30 p.m. through March 6. $8 general, $6 students/seniors. 277-4569.
The romance and mystique surrounding the Roma (gypsy) people goes back centuries. This Friday, Feb. 27, at 8 p.m. in UNM's Popejoy Hall, the Budapest Dance Ensemble, one of the oldest folk dance troupes of Central Europe, will offer up the music and dance traditions of the Roma in Gypsy Spirit, a smashingly popular traveling show. The complex choreography and jumping music should be a sight to behold. Tickets are $19, $26 and $29. To reserve yours, call (800) 905-3315.
The distinction is stark. When George W. Bush graduated from Yale, his daddy got him out of fighting in Vietnam by getting him a coveted spot in the Texas Air National Guard. When John Kerry graduated from Yale, he joined the Navy and became a war hero. In Tour of Duty, Brinkley tells the senator's bloody battle stories and relates Kerry's later efforts in the anti-war movement.
T.C. Boyle has been a reliable fiction factory for well over two decades. His best-known book is undoubtedly The Tortilla Curtain, the 1995 social novel that lampooned the immigration situation along our southern border. Yet novels like A Friend of the Earth and The Road to Wellville, as well as Boyle's numerous short story collections, have also met with plenty of commercial and critical success.
In the late '60s, graffiti artists, many of them extraordinarily talented teenagers, began painting on subway cars and other surfaces all over New York City. Lee Quiñones' family didn't have a car at the time, so the subway was their principle mode of transportation. As a youngster, he saw graffiti everywhere he went. When he was 14 years old, he picked up a spray can and started doing it himself.