Ridiculously Short Fiction
In case you didn't catch the announcement last week, the Alibi's Ridiculously Short Fiction Contest winners will be featured in next week's issue (June 26-July 2) instead of the one in your paws. We thank everyone who entered this year's contest—which was fiercely hard to judge, you silver-penned wordsmiths—and understand that waiting isn’t the fun part. We promise it will be worth the extra week of anticipation. Get those reading chairs ready.
Courtesy of Frederick Swiftbird
Mostly True: Tales from the Rails
Organizer inspired by the tragedy of a famed graffiti writer; and Verb Collective closes
Kids all over the country have seen Diar's work rolling down the tracks of their train yards, says Frederick Swiftbird. "Being prolific, he's painted thousands of trains, whole cars, full cars," he says.
Zygote Pro-Creations, Inc.
The Seven: Something Left Unsaid
Ten minutes to make an impression
The assignment isn't easy: Create a coherent, fully developed play adhering to a theme and lasting only 10 minutes. The task is challenging, but the Fusion Theatre Company got scripts from more than 400 people who wanted to try anyway.
A Lens Through a Lens
A conversation with Marianne Wiggins
In her novel The Shadow Catcher, just released in paperback, Marianne Wiggins echoes themes from her earlier work with the keen eye and sure hand of a writer at the peak of her powers. A National Book Award- and Pulitzer-finalist, Wiggins uses the enigmatic life of photographer Edward Curtis as a springboard for a layered exploration of such timeless themes as the collision of legend and reality, the intangible lure of the solitary landscape of the American West, and the complex emotional dances between fathers and daughters, husbands and wives, and writers and their subjects. Blending historical biography with personal narrative, Wiggins examines how time, distance, memory and desire can alter the truth.
Skulls and Sickles: The Visual Rhetoric of Death in ASARO's Woodblock Prints at UNM Zimmerman Library
When the regional Mexican government violently put down a peaceful teacher’s strike in Oaxaca de Juárez in 2006, the brutality of the police inspired a group of artists in the community to form themselves into a collective called the Assembly of Revolutionary Artists of Oaxaca (ASARO) to protest the bloodshed. Two current exhibits in Albuquerque showcase their work. One exhibit at the National Hispanic Cultural Center was curated by the University Libraries and Learning Sciences Curator of Latin American and Iberian Collections Suzanne Schadl and her graduate student Michael de la Rosa. One at the Herzstein Gallery on the second floor of Zimmerman Library on the UNM campus was curated by graduate student Megan Jirón. She writes “Unlike the European or Anglo-American perspective, Mexico’s inhabitants embrace death. They confront it with a sense of playfulness, defiance and acceptance.”
Above the East China Sea at Bookworks
Native American Portraits at Museum of Indian Arts & CultureMore Recommented Events ››