Brevity Is the Soul of Winning
It's that time of year. You can feel it in the air, smell it on the 50-mph winds whipping your skull. It smells like ... brief spurts of genius. That's right; it's time for the Alibi's annual Flash Fiction Contest. Every year we ask our creative readership to strip their prodigious prose down to its essence. In this case, that's 119 words’ worth of story nuggets. Too limiting? Then consider this Hemingway treasure: "For sale: baby shoes, never worn." That would give you another 113 words with which to blabber on. Come to think of it, 119 words seems a bit much, but such are our long-established rules.
Through the Labyrinth
Paintings by Thomas Christopher Haag at Cirq
In Greek mythology, the Minotaur was a monster with the body of a man and the head of a bull. His birth story starts with Minos. Minos prayed to Poseidon, highly temperamental god of the sea, to send him a sign that the throne of Crete would be his. Poseidon sent a snow-white bull intended for sacrifice, but instead, Minos decided to keep it for its beauty and sacrifice another. Naturally, Poseidon was peeved, and in spectacularly weird Greek myth fashion, made Minos' wife Pasiphaë fall in love with the bull. She in turn asked the famed architect Daedalus to build her a wooden cow that she climbed inside of in order to mate with the bull. The progeny of this cursed coupling was the Minotaur, who was later imprisoned in a labyrinth and killed by the hero Theseus for various assorted, well, labyrinthian reasons.
Best-selling author Michael Datcher and the fear of being real
Los Angeles-based writer Michael Datcher has a roving eye, at least as far as genres are concerned. He's equally enamored with memoir, fiction, poetry and journalism and refuses to commit to just one. His 2001 autobiography Raising Fences: A Black Man's Love Story was featured as part of the Today Show Book Club series and caught the eye of none other than Dame Oprah. Raising Fences chronicles Datcher's childhood growing up fatherless, given up by his birth mother for another woman to raise. It takes a naked look at how black boys become black men often without any men around. It's a cycle that Datcher hopes, through honest examination, will be broken.
The Drifter: Into the Unknown at Bindle Stick Studio
Featuring large works on canvas from The Drifter series previously exhibited at Chambers Fine Art Beijing in 2011.
A$$holes on Cell Phones at Zane Bennett Contemporary Art
David Crane & Jose Sierra at Santa Fe ClayMore Recommented Events ››