Abstractions in Balance is imaginative, sophisticated and poetic. The new collections presented by Lorna E. Smith and Harley Kirschner, running this month at the Range Café in Bernalillo, both draw inspiration from the natural world, but contain nuanced differences. Kirschner says “at the core of both bodies of work is a Zen simplicity.”
Playwright Neil LaBute is known for his unflinching, cynical plays that feature characters at their worst, often worthy of audience disgust. He is also regarded for his rapid-fire, true-to-life dialogue that has actors talking over one another and cutting off each other’s lines. Duke City Reparatory Theatre’s production of reasons to be pretty has both of these elements. But Amelia Ampuero, the director of the play, says this LaBute script is much more palatable than some of his other material.