Alibi V.21 No.22 • May 31-June 6, 2012 ››
Eye in the Sky, Hole in the Ground
Postcommodity’s Raven Chacon on art without borders
Toward the end of 2012, arts collective Postcommodity intends to raise 20 acrylic balloons that are 10 feet in diameter parallel to the U.S.-Mexico border. "Part of this project is that it's this kind of sculptural piece," says Raven Chacon, "this kind of fence, which will run along the border. But part of it is performance in a way of us having to navigate what is safe to be called a battlefield."
Heather Rutman’s anti-climactic guide to sex without love
Heather Rutman’s handbook on female hedonism is a vapid, substance-feuled journey into the mind of a despicable sociopath.
Operation Art Box Returns
Regardless of how adept your street art skills are, if you decide to go guerilla and throw up a piece in a prominent public location, chances are it'll get buffed pretty quick. Murals and sculpture are some of the most aesthetically alluring components to this city's streets. But government grants notwithstanding, it’s hard to manufacture public art in a way that’ll have a widely recognized, lasting effect.
Courtesy of the artist
Highly-acclaimed modern dance troupe performs unique dance style that explores creativity, human connection and signature lifts and contortions.
A hilarious, fast-paced comedy, where residents of one of the smallest trailer parks in Texas are thrown for a loop when they realize the nearby town of Tugaloo is determined to annex them.
Weekly Alibi Fetish Events Presents Carnal Carnevale
A sensory soirée of anonymous sin. Enjoy uninhibited music, sexy cocktails, kinky demonstrations, erotic performances, sinful hors d’oeuvres and much more.
Photo by Rachel Garcia
Reena Esmail's Rang De Basant for solo piano and Antonin Dvorak Piano Trio in F minor.