Director Preston Mendenhall has brought one of sweet William Shakespeare's last and most obscure plays to the Adobe Theatre. Cymbeline mixes comedy, tragedy and romance into a fairytale-like story about a princess who marries a young man of whom her father, Cymbeline, does not approve. This act of disobedience sets in motion an intricate series of schemes, intrigues, battles and betrayals. Everyone except the villains live happily ever after. Cymbeline runs Fridays and Saturdays at 8 p.m. Sundays at 2 p.m. $12 general, $10 students/seniors. 898-9222.
Fusion Theatre Company's A Lie of the Mind
This isn't the Montagues and the Capulets. It isn't even the Hatfields and the McCoys. The battle between two seriously screwed-up families in Sam Shephard's A Lie of the Mind is even darker and more deranged than either of those infamous feuds.
This month's Artscrawl gallery tour kicks off this Friday evening, Feb. 18, with a celebration of Route 66's historic neon signage at El Rey Theater (622 Central SW). This event will include a screening of the award-winning documentary Neon Road. From there, make your way to galleries on and around the Central Avenue corridor. There will be new shows at places like Sauce Liquid Lounge, SolArts, the New Fisher Gallery and the Mariposa Gallery. It all starts at 5 p.m. and runs 'til around 9 p.m. For details, call 244-0362 or log onto www.artscrawlabq.org.
Poetry and Beer
Puccini's Golden West Saloon
This month's Poetry and Beer event at the Golden West Saloon (619 Central SW) hosts the Siren's Iris Poetry Tour on Wednesday, Feb. 23, at 7:30 p.m. It's been said of Suzy La Follette that "she could spit a poem through a brick wall." Likewise, her partner in poetry, Andrea Gibson, brings some seething radical politics to her performances. They're both some of the best spoken word artists currently at work in America. Poetry freaks won't want to miss this one. $3. For more information, call 254-2285.
When Brenda Hollingsworth-Pickett was a little girl growing up in Salt Lake City, Utah she somehow got her hands on a miniature puppet theater. "It had little green curtains," she says, "with a jester in front." She isn't quite sure where the theater came from, but it quickly became the focus of her attention.
A private dick irrigated with booze and soused by desire falls for a dangerous dame in Kevin Young's Black Maria, a noir in verse that will give Raymond Chandler's best a run for their money. The action starts, as it always does in noirs, with a woman asking for a light. A.K.A. Jones, the book's hard luck narrator, cheekily quips he can give Delilah Redbone dark instead of light. She accepts, and off we go to the races: the dog track, the moody night, the shadowy interrogations, the velvet betrayals and the hung over mornings. Many a night ends with Jones alone, bent over a diner table asking for "two eggs/over queasy." Then it's back to his apartment and his "Murphy bed like a booby/trap."