Alibi V.16 No.5 • Feb 1-7, 2007 
Tom Kempinski’s wrenching play was first produced in London in 1980.

Culture Shock

In Memoriam—Every person who knew Reggie Gammon seems to have a kind word for him. He was a fixture on the art scene here in Albuquerque, maintaining a studio at the Harwood Art Center for years, creating a body of artistic work immersed in music and social justice.

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Tom Kempinski’s wrenching play was first produced in London in 1980.

Performance Review

Electric Chair

Duet for One at Sol Arts

Hard work and perseverance are crucial to success in most endeavors, but it's often the case that even more is required. Sometimes it's blind luck. Sometimes it's an innate gift.

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Book Review

Brotherhood

House of Meetings

This swift, weird little novel by Martin Amis is his best fiction in years. Two stories pivot on the axis of a profoundly gripping voice. In the background, two brothers fall for a young Jewish woman in Moscow in the period after World War II but before Stalin’s murderous purges. One is a sensitive poet—the other a pragmatic killer.

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Poetry Review

Seven Poets

Why be a poet? One can’t do it for a living, not with payments in contributors’ copies and the chances of publishing a slim chapbook worse than lottery odds. The poet will answer that she writes because she must, because it’s only through such arrangements of words that she can attempt an understanding of this world. We should all be poets. Imagine the possibilities!

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Photo by Sachyn Mital

EVENT HORIZON ()

Someone Controls Electric Guitar

Vieux Farka Touré

Often referred to as "The Hendrix of the Sahara," Vieux Farka Touré plays his captivating styles live.
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Imag Courtesy of NM Jazz Workshop

EVENT HORIZON ()

El Ritmo Cubano

Son Como Son 25th Anniversary: A Retrospective Celebration of Salsa

Daniel and César Bauvallet celebrate the 25th anniversary of their musical partnership in this heartfelt tribute to their fans and the dancers of Albuquerque.
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