Jun 19 - 25, 2008 

Culture Shock

By Amy Dalness

Ridiculously Short Fiction

In case you didn't catch the announcement last week, the Alibi's Ridiculously Short Fiction Contest winners will be featured in next week's issue (June 26-July 2) instead of the one in your paws. We thank everyone who entered this year's contest—which was fiercely hard to judge, you silver-penned wordsmiths—and understand that waiting isn’t the fun part. We promise it will be worth the extra week of anticipation. Get those reading chairs ready.

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Courtesy of Frederick Swiftbird

Art News

Mostly True: Tales from the Rails

Organizer inspired by the tragedy of a famed graffiti writer; and Verb Collective closes

By Marisa Demarco

Kids all over the country have seen Diar's work rolling down the tracks of their train yards, says Frederick Swiftbird. "Being prolific, he's painted thousands of trains, whole cars, full cars," he says.

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The cast of "Homesick," a one-act play by Daniella Vinitski
Zygote Pro-Creations, Inc.

Performance Preview

The Seven: Something Left Unsaid

Ten minutes to make an impression

By Simon McCormack

The assignment isn't easy: Create a coherent, fully developed play adhering to a theme and lasting only 10 minutes. The task is challenging, but the Fusion Theatre Company got scripts from more than 400 people who wanted to try anyway.

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Marianne Wiggins
Lara Porzak

Author Profile

A Lens Through a Lens

A conversation with Marianne Wiggins

By Lisa Lenard-Cook

In her novel The Shadow Catcher, just released in paperback, Marianne Wiggins echoes themes from her earlier work with the keen eye and sure hand of a writer at the peak of her powers. A National Book Award- and Pulitzer-finalist, Wiggins uses the enigmatic life of photographer Edward Curtis as a springboard for a layered exploration of such timeless themes as the collision of legend and reality, the intangible lure of the solitary landscape of the American West, and the complex emotional dances between fathers and daughters, husbands and wives, and writers and their subjects. Blending historical biography with personal narrative, Wiggins examines how time, distance, memory and desire can alter the truth.

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