Adobe’s A Life in the Theatre
A Life in the Theatre makes stage acting seem like writing: You throw your soul into the black and uncaring void until you go crazy. At least actors can see the audience, out there in the dark. A writer has to assume people are picking up the paper. Maybe I’m just being dramatic.
SITE Santa Fe tries to extend its branches a little too far
I remember the exact moment I fell in love with moving image arts. It was September of 2002, somewhere on the upper spiral of New York City’s Guggenheim Museum. I entered a little room and there, projected on the wall, was Shirin Neshat’s “Passage,” an approximately 12-minute film depicting the funeral processions of Iranian men and women. I happened to walk into the screening room just at the beginning of the film and sat through it twice, unable to articulate what I had just seen and felt. Afterward, I wandered through the rest of the exhibition Moving Pictures in something of a daze.
An all-you-can-sit-through buffet is on the menu for theater lovers this week with three plays opening around town. Let’s go through this in alphabetical order so it’s easier to remember. First, Crimes of the Heart, the Pulitzer Prize-winning story of three down-on-their-luck sisters who reunite as adults, plays at The Vortex (2004 1/2 Central SE). Crimes opens Friday, Sept. 3, and runs through Sunday, Sept. 26. Tickets for the Friday and Saturday (8 p.m.) and Sunday (6 p.m.) shows cost $15—except for Sunday, Sept. 5, which is pay-what-you-wish. Get ’em at vortexabq.org. Next, the search for an elusive whale takes the stage with Mother Road Theatre Company’s Moby Dick at The Filling Station (1024 Fourth Street SW). Thursday and Friday shows start at 8 p.m., Saturdays at 6 p.m. and Sundays at 2 p.m. Moby Dick runs from Friday, Sept. 3, to Sunday, Sept. 26. Tickets are $16 and are over at motherroad.org. Finally, an imaginary conversation between Picasso and Einstein is the setting for Auxiliary Dog’s Picasso at the Lapin Agile. This one also runs from Sept. 3 to Sept. 26, with 8 p.m. Friday and Saturday shows and 2 p.m. Sunday performances. Picasso will set you back $14 and you’ll have to call 254-7716 for tickets.
Skulls and Sickles: The Visual Rhetoric of Death in ASARO's Woodblock Prints at UNM Zimmerman Library
When the regional Mexican government violently put down a peaceful teacher’s strike in Oaxaca de Juárez in 2006, the brutality of the police inspired a group of artists in the community to form themselves into a collective called the Assembly of Revolutionary Artists of Oaxaca (ASARO) to protest the bloodshed. Two current exhibits in Albuquerque showcase their work. One exhibit at the National Hispanic Cultural Center was curated by the University Libraries and Learning Sciences Curator of Latin American and Iberian Collections Suzanne Schadl and her graduate student Michael de la Rosa. One at the Herzstein Gallery on the second floor of Zimmerman Library on the UNM campus was curated by graduate student Megan Jirón. She writes “Unlike the European or Anglo-American perspective, Mexico’s inhabitants embrace death. They confront it with a sense of playfulness, defiance and acceptance.”
Above the East China Sea at Bookworks
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