Former Alibi Arts Editor Remembers the Rainbows
Now that I live 5,000 miles away from Albuquerque—in London, a city as gray and lusterless as the stereotype—it’s easy to think of all the things I miss: sunshine, foamy beer and green chile chicken enchiladas probably top the list. But the unexpected one, the one that all the artsy hip Londoners would scoff at, is a painting on a building. Sure, London is supposed to be a street-art Mecca and there are tons of pieces all over the place, from Banksy to Space Invader to less well-known artists, but they all lack the kind of life that the Central rainbows embody.
Year in Review: Arts & Lit
Year of the Rainbow
Art faves for 2010
By David Leigh
Albuquerque didn’t have a months-long Marina Abramovic show to torture us into art world obeisance (the “Grandmother of Performance Art” sat immobile for more than 700 hours in the Museum of Modern Art). But 2010 was a year of exhibitions, performances and people that have come to define the alternative position our city is carving out in the larger art world.
Three lost examples emerge in 2010
By John Bear
Though sometimes derided as “low art,” no other medium better captures the zeitgeist of the mid-20th century than unlicensed velvet art, though purists will argue that the it is usually painted on felt board.
Dracula, A Love Story
By Monica Schmitt
A 21st century version of the 19th century love story that continues to capture the imaginations of young and old alike.
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Shift Dance Festival at VSA North 4th Art Center
Unique choreographic voices, points of views and movement styles from dancers Allie Hankins, Jacqueline Stewart, Jacqueline M. García, Lisa Nevada and Kelsey Paschich.
The Ghost of Badtable Manor at Foul Play Cafe
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