Alibi V.20 No.52 • Dec 29-Jan 4, 2011 ››
Year in Review: Arts & Lit
Best in Show
Our favorite arty endeavors of 2011
Outrageous improv, a futuristic nautical vessel, black humor, an alligator-infested ode to dying swampland. In 2011, we at the Alibi covered some astonishing works ranging from theatrical spectacles to ambitious visual arts projects to impressive contributions to the literary canon. Our current Arts and Lit editor reached out to the previous two, as well as our resident theater critic. They put their nerdy, critical noggins together, and the result is this brainstorm of the more outstanding creative output we covered over the last 365.
The “I” and the Beholder
Eclectic group show at Matrix focuses on identity
It’s the early-morning hours before the zoo opens. Many of the animals are still indoors. The lone mammal in the zebra pen is a beautiful girl, completely naked but for black-and-white-striped body paint.
Apollo Garcia, Danielle Reddick, John Flax and Tara Khozein come together in a stellar ensemble cast, dexterously moving between emotionally-driven clownish characters and their buffoon alter-egos.
A recount of Eva Perón’s meteoric rise from the slums of Argentina to the presidential mansion as First Lady.
The Importance of Being Earnest
This classic play by Oscar Wilde is a celebration of life, love, wit and the theatre itself.
Courtesy of AirDance New Mexico
A variety of aerial apparatuses and stilt work with interactive projections performed to a choir of women’s voices.
Straight Outta Oz
Todrick Hall brings to life the classic American tale The Wonderful Wizard of Oz, by sharing his adventures from his small town in Texas all the way to the big Emerald City lights of “Oz Angeles.”
The Sexy Liberal Resistance Tour
Stephanie Miller, John Fugelsang and Frangela discuss politics in a humorous way.
Bard Crawl: Twelfth Night
See the Shakespearean comedy about mistaken identities leading to even weirder love triangles.