Alibi V.21 No.14 • April 5-11, 2012 
Ahora y Cuando

Art News

SmArt Phone

City documents massive collection of public works with mobile app

You’re waiting for your hair appointment at a Downtown salon, and as usual, you’re staring at your iPhone. You open the Museum Without Walls application you just downloaded and hit the “search using current location” button. A list of nearby works of public art pops up, and your heart flutters.

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Sunshine and rainbows it ain’t.
Jim Cady

Performance Review

Dramatic Despair

Meta play evokes savagery in Adobe’s Is Life Worth Living?

The sleepy Irish town of Inish suddenly bursts with the grotesque. Where hotel clerks and housewives once salivated at the thought of a scandal for the simple fact that they had never witnessed one, the streets are rampaged with suicide pacts, attempted murder and the unearthing of old wounds.

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“The Joy Joy Market” by Richard Maitland

Culture Shock

First Friday Gallery Guide

If you need an alternative to sitting at home with your cat and watching reruns of "The Golden Girls" on Friday night, I've got four. There are some promising art shows slated to open on April 6.

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Courtesy of the artist

EVENT HORIZON ()

Who can tell the dancer from the dance?

Pilobolus

Highly-acclaimed modern dance troupe performs unique dance style that explores creativity, human connection and signature lifts and contortions.
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EVENT HORIZON ()

Howdy, Nieghbor

Doublewide, Texas

A hilarious, fast-paced comedy, where residents of one of the smallest trailer parks in Texas are thrown for a loop when they realize the nearby town of Tugaloo is determined to annex them.
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EVENT HORIZON ()

Fetish for Fun

Weekly Alibi Fetish Events Presents Carnal Carnevale

A sensory soirée of anonymous sin. Enjoy uninhibited music, sexy cocktails, kinky demonstrations, erotic performances, sinful hors d’oeuvres and much more.
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Photo by Rachel Garcia

EVENT HORIZON ()

Esmail and Dvorak

Chatter Sundays

Reena Esmail's Rang De Basant for solo piano and Antonin Dvorak Piano Trio in F minor.
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