Alibi V.21 No.22 • May 31-June 6, 2012 ››
Eye in the Sky, Hole in the Ground
Postcommodity’s Raven Chacon on art without borders
Toward the end of 2012, arts collective Postcommodity intends to raise 20 acrylic balloons that are 10 feet in diameter parallel to the U.S.-Mexico border. "Part of this project is that it's this kind of sculptural piece," says Raven Chacon, "this kind of fence, which will run along the border. But part of it is performance in a way of us having to navigate what is safe to be called a battlefield."
Heather Rutman’s anti-climactic guide to sex without love
Heather Rutman’s handbook on female hedonism is a vapid, substance-feuled journey into the mind of a despicable sociopath.
Operation Art Box Returns
Regardless of how adept your street art skills are, if you decide to go guerilla and throw up a piece in a prominent public location, chances are it'll get buffed pretty quick. Murals and sculpture are some of the most aesthetically alluring components to this city's streets. But government grants notwithstanding, it’s hard to manufacture public art in a way that’ll have a widely recognized, lasting effect.
Luncheon for Literacy
Reading Works and author Jimmy Santiago Baca celebrate literacy to raise money for the nonprofit that provides free literacy tutoring to adults.
How Do You Pray?
Celeste Yacoboni discusses her latest work regarding how leading spiritual, shamanic, scientists, guides and activists pray and contemplates the intention of prayer.
Brennan Foster and Shawn Boyd play over 20 of Tuna, Texas', eccentric inhabitants from gun-clubbers to church ladies in a town where the Lion's Club is too liberal and Patsy Cline never dies.