Alibi V.21 No.33 • Aug 16-22, 2012 ››
ISEA, USEA, We All See Emergent Art Forms in Burque
An international symposium and its underground offshoot
Cultural geographer Ronald Horvath wasn’t thinking of a specific place when he conjured the concept of “machine wilderness” in the ’60s. It helped him describe what he saw taking place across the American Southwest, as technology gradually transfigured the feral landscape. But the phrase describes New Mexico well. And it’s the driving force behind this year’s International Symposium on Electronic Art, taking place here in Albuquerque in September.
Photo by Julia Thudium
Mother Road opens doors to the public in advance of its September production
Taps flowed, pizza was passed around and old friends joked together in the basement of JC’s NYPD pizzeria. As the cast and crew of Mother Road Theatre Company’s upcoming production of The Killer Angels gathered for its first rehearsal, the air hummed. I felt that familiar flutter as the first page of the script turned. Here we go! I thought to myself. This is the best part—the part where the magic of making a play all begins.
Brennan Foster and Shawn Boyd play over 20 of Tuna, Texas', eccentric inhabitants from gun-clubbers to church ladies.
Refugee students discuss and showcase their personal histories through photography.
Transgender: One Person’s Journey Opening Reception
Photographer April Hartford leads viewers into an immersive exploration of gender dissonance and transition portraying the inner psychological journey as much as the outer one. Runs through 10/7.
Courtesy of the artist
Quintessence 5th Annual Choral Festival Concert
A chorus of 100 and a professional orchestra perform Ludwig van Beethoven's Mass in C Major under the direction of Quintessence artistic director, Matthew Greer.