Alibi V.21 No.33 • Aug 16-22, 2012 
“Seventy Flights in Ninety Minutes,” digitally stitched photo by D. Bryon Darby

Art News

ISEA, USEA, We All See Emergent Art Forms in Burque

An international symposium and its underground offshoot

Cultural geographer Ronald Horvath wasn’t thinking of a specific place when he conjured the concept of “machine wilderness” in the ’60s. It helped him describe what he saw taking place across the American Southwest, as technology gradually transfigured the feral landscape. But the phrase describes New Mexico well. And it’s the driving force behind this year’s International Symposium on Electronic Art, taking place here in Albuquerque in September.
Mother Road’s band of bearded brothers will take on the Battle of Gettysburg in   The Killer Angels  .
Photo by Julia Thudium

Performance Preview

Killer Rehearsal

Mother Road opens doors to the public in advance of its September production

Taps flowed, pizza was passed around and old friends joked together in the basement of JC’s NYPD pizzeria. As the cast and crew of Mother Road Theatre Company’s upcoming production of The Killer Angels gathered for its first rehearsal, the air hummed. I felt that familiar flutter as the first page of the script turned. Here we go! I thought to myself. This is the best part—the part where the magic of making a play all begins.

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EVENT HORIZON ()

Let’s Mess with Texas

Greater Tuna

Brennan Foster and Shawn Boyd play over 20 of Tuna, Texas', eccentric inhabitants from gun-clubbers to church ladies.
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EVENT HORIZON ()

Sharing Refuge

PhotoVoice

Refugee students discuss and showcase their personal histories through photography.
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April Hartford

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Holding Moments Still

Transgender: One Person’s Journey Opening Reception

Photographer April Hartford leads viewers into an immersive exploration of gender dissonance and transition portraying the inner psychological journey as much as the outer one. Runs through 10/7.
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Courtesy of the artist

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Major Mass

Quintessence 5th Annual Choral Festival Concert

A chorus of 100 and a professional orchestra perform Ludwig van Beethoven's Mass in C Major under the direction of Quintessence artistic director, Matthew Greer.
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