Attention residents of Albuquerque!
For over two decades, the Weekly Alibi has asked YOU to help us honor the very best that our unique city has to offer. Well, it’s that time again. From art galleries to vape shops; from best politician to best local band, this is your chance to let the world know what you love about Burque.
Just log in and fill out the ballot. It’s that easy!
It's our second ever podcast! This week, arts and lit editor Lisa Barrow discusses changes in the International District and the newly retranslated Russian sci-fi novel Hard to be a God. Features/food editor Ty Bannerman talks about the Summer Dining Guide with poet/writer/drinker Hosho McCreesh.
Best Bike Trail, Best City Politician to be Awarded a Medal, Best News Anchor We Want to Wear a Cowboy Hat for an Entire Broadcast, Best “Breaking Bad” Location and more winners in essential Burqueñosity. You know you want to know, so we hereby bestow upon you Best of Burque 2013!
Thanks to cottage industry supersite Etsy, you can buy holiday gifts made by people in your city. Amy Dalness outlines her favorite items in this week’s feature: Etsy-Querque. She also lists great local businesses with rad gift options. Keep the cash circulating in our stretch of desert.
And hey, did you know one of the Etsy founders is a Burqueño?
Amy Dalness, Alibi stuntwoman, spent the last few weeks scouring the city for the raddest stuff inside local businesses. Her finds are excellent. Peruse them in her feature “Social Gifting: Find the right presents for your circles.”
The Balloon Fiesta is pretty much a morning-only affair, so that leaves you tourists plenty of time to explore our funky, fascinating city. I’ve compiled a list of some uniquely Albuquerquean destination points, and nearby places to grab a bite. Enjoy!
It’s like Christmas around here when the revamped distribution cubes start making their way back to our office. The project, conceived by Circulation Manager Geoffrey Plant, asks local artists to overhaul those blue cubes that house the Alibi each week. Plant delivers the boxes to the artists, and then, a month later, picks them all back up. The staff here gets all excited as the cubes roll back into our offices.
Truly, the artists’ good work is fuel for us. You know how creativity is.
Plant penned a feature this week on all of the participants. Their nonbox artwork is also still being displayed at Boro Gallery (317 Gold SW) through the end of the month.
Less than a day after we went to press with this week’s feature profiling the Reese family of Deming and their trial for conspiracy, false statements and gun smuggling, the jury returned with a verdict.
Three of the family members were found guilty of making false statements on federal ATF forms. U.S. government prosecutors insisted throughout the trial that the Reeses knowingly sold weapons to so-called straw buyers, or middlemen, who were purchasing guns on behalf of dangerous Mexican drug cartels. Apparently the jury agreed, to a limited extent.
Yet with the possible exception of 20-year-old Remington (acquitted of all charges), it’s still hard to find the clear winner in this case.
The Reeses’ lives will certainly never be the same. Three of them are now convicted felons facing more jail time. While they may be able to petition for the restoration of their gun ownership rights, I doubt the ATF (which launched the undercover investigation of the family) will let them return to their longtime livelihoods of gun dealing.
The agency itself has been raked over the coals for losing track of guns that were purchased out of Arizona by known “straw buyers,” or middlemen. Many of those guns were subsequently trafficked into Mexico and used to deadly effect.
And the trial opened on the heels of a successful (and largely partisan) effort to hold U.S. Attorney General Eric Holder in contempt over Operation Fast and Furious. Supporters of the family that I spoke to outside of the courtroom were convinced that the U.S. government was trying to use the case to deflect attention away from their own malfeasance.
It wasn’t a good idea. We knew that at the time, but I guess we thought we would get away with it.
On March 23, 2011, Mike Smith and I took the bus down Central through Albuquerque’s neon-lit Downtown. We were headed toward the Anasazi building. At nine stories tall, it towered over other buildings on the block, and its pueblo-influenced, multitier design gave its dark, empty windows romantic intrigue. Could we get in? What was inside? What would it be like to be one of the few people who had looked out of those lofty windows?
Near the very top of its eastern face, there was a tantalizing sign that entry was possible: A graffiti rainbow coursed from the rooftop down the bare side. If that artist could get in, so could we. We didn’t think about what would happen if we got caught; we just wanted to see it from the inside.