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Weekly Alibi
 Mar 25 - 31, 2004 
The Tao of Tax Avoiding
The taxman cometh, but these folks fear not. Singeli Agnew meets some of Albuquerque's most seasoned war tax resisters and interviews Chuck Hosking and Mary Ann Fiske, pacifists who live below the poverty line and still donate thousands of dollars annually to a health clinic in Nicaragua.
NEWS/OPINION
What's That Sound?
What the heck is that noise? An 81-year-old Northeast Heights gentleman is determined to locate the source of a hum that has taken up residence in his house.
MUSIC
Blue Note
There aren't too many 68-year-old trombonists crankin' out tunes with acoustic guitarists in free jazz format, but at least there's one, The Roswell Rudd-Duck Baker Duo.
FOOD
Cool Stuff
Be the talk of the town this spring! Be the envy of all your friends! All you have to do is get your hands on this cool food stuff, and the rest will be easy.
FILM & TV
Film News
Alibi Film editor John Dillinger O'Leary took in Austin's South By Southwest film festival for a few days. Now he's back to the share the news with you lucky rascals.
FEATURE
ARTS/LIT
From the Crypt
No one here gets out alive. The living celebrate death with local artist Brandon Maldonado's 30-plus Dia de los Muertos-inspired pieces in Book of the Dead.
Gallery Review: Man Versus Machine
Alexander Rodchenko: Modern Photography, Photomontage and Film offers a glimpse into the life of the early Soviet Union with a focus on man-versus-machine imagery.

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news

The Daily Word: in real life vampires and delicious ice cream

The Daily Word

death of the fringes

life imitating art

human evolution 2: electric boogaloo

50 shades of doin it

we all scream for ice cream

nuclear accidents happen

I vant to ve a vampire

bad dog! and pigs and rats. and humans

ready your pitchforks. or just forks. whatever

art is anything you can get away with

NOT THE BEES!!!!!

PRINT IS NOT DEAD!

Alibi Picks

Disco, Glitter and Roller Skates: Xanadu Jr. at N4th Theater

A Greek muse inspires love, laughter and the world's first Roller Disco in this 1980s glitter explosion of a play. Runs through 6/7.
Mandee Johnson

arts

Comedy Matters

Chris Thayer on dry humor and being in the moment

I think every comedian has that moment when they watch a stand-up set from a particular comic and think, “This is my life now.” “I always had an interest in comedy when I was growing up, but I never thought of it as something I could or would do,” says comedian Chris Thayer. “When I was 18, I heard David Cross' album Shut Up You Fucking Baby!, which was conversational in a way that made me think that maybe I could do stand-up too.” Thayer, who will be at The Guild (3405 Central Avenue NE) on June 1, moved to San Francisco, a city that has spawned such comedy legends as Robin Williams at Margaret Cho, at the age of nineteen but waited three whole years before trying comedy. He finally sat down one night and began to write; a week later he did an open mic, and “within a year I had done over 200 sets,” says Thayer. “Now I’ve been doing comedy for seven years.”

It’s this dedication that got him a writing gig on the Pete Holmes show. Thayer has a dry sense of humor and often talks about his life on stage. His uncompromising style is reflected in his ideas on comedy. “The thing that terrified me most when I started performing was the fear that an audience would hate me,” says Thayer. With time this slowly abated and Thayer began to focus more on what he thought was funny rather than appealing to any given crowd. “I'd like as many people as possible to like me without having to compromise myself or what I think is funny. I would drive myself crazy if I were trying to change my stuff to get 100% of people to love me, so if only maybe 67% of people are into me, I'm totally okay with that,” says Thayer. “Not sure if that number sounds too high or too low. I'm trying to be modest without sounding unambitious.”

It’s not an unwavering ambition though. Thayer sees comedy as something that needs to avoid stagnation. “My favorite parts of performing are the times when I'm present enough and comfortable enough to try or add new stuff,” says Thayer. “I enjoy doing my material that I've been working on, but there's always a danger of feeling like you're on autopilot when you're doing stuff that you've memorized and said hundreds of times before. Thinking of new stuff for old jokes or trying to talk out new bits lets me know that I'm engaged in the moment and makes it fun for me.” Thayer has a way of balancing his strong and steadfast ideas on comedy with being open and present in the moment so he can engage with the live audience. “I want the audience to think, ‘Wow that guy is really funny despite being boringly sincere in interviews.’”

Chris Thayer: No One Asked for this Tour
The Guild (3405 Central Avenue NE)
Monday June 1 10:30 pm $5
guildcinema.com

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