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Weekly Alibi
 V.17 No.10 | March 6 - 12, 2008 
It wasn't easy, but the Alibi's Christie Chisholm spent an entire winter week eating only locally grown foods and lived to tell about it.
What is “Grass Farming”?
Find out with an exclusive interview with renowned grass farmer Joel Salatin.
How to attract birds, bees and butterflies to your backyard. Multimillion-dollar slaves. And "To Catch a Predator" on trial.
Musicians reflect on the loss of the burned-down Golden West Saloon and we look at what the future holds for the fixture of the Downtown music scene. Plus, fireworks, bikinis and an all-drum sonic seizure.
We sample everything Saratori’s di Tully and Cupcakeology bakeries have to offer, and UNM teams up with local farmers for a fresh approach to scholastic food options.
Semi-Pro doesn't tinker with Will Ferrell's winning gameplan. And 2004's Double Dare covers the lives and careers of two legendary Hollywood stuntwomen.
The Global DanceFest shrinks our planet, while author Natalie Goldberg, founder of the "Just Write" movement, sits down for a chat.

RSSRaw posts and updates from our writers with info too timely or uncategorizable for print. What, we said something stupid? Chime in, buddy.
Music

Rooster Roundabout: This week’s music highlights

Yup, watching Belle and Sebastian cover Journey's “Don't Stop Believin'” for a group of kids at Children's Healthcare of Atlanta might be the cutest thing in music this week. You can check that out below, but you might need to have a tissue handy.

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Belle and Sebastian covering Journey’s “Don’t Stop Believin’”

A few weeks ago, I posted a track from Buzz Osborne's upcoming solo acoustic album This Machine Kills Artists. And now King Buzzo has posted another snippet from that forthcoming record, which, despite being acoustic, is pretty heavy and dark. But that's a good thing. You can hear his new song (“Drunken Baby”) by heading over to A.V. Club.

For those of you that think Lana Del Rey is all that and a bag of stale potato chips, the moment you've waited for is finally here. The singer-songwriter has come out with the first track from her upcoming sophomore LP Ultraviolence. Some blogs have already touted the tune as the “song of the summer.” Getting ahead of yourselves much? But I'll let y'all be the judge of that. You can listen to “West Coast” below.

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Lana Del Rey - “West Coast”

I guess it’s only appropriate that I mention tomorrow is Record Store Day. Not only is it a way to promote shopping at your local record stores, it opens your horizons to new and exciting music emerging from the depths of post-Top 40-whatever. Meh ... political correctness aside, I’m not much of a fan of Record Store Day. Most record stores don’t carry the releases the peak my interests, and sometimes it makes me wonder whether it’s a trick to get you into the stores in the first place. Regardless, you’ll probably see me at Mecca tomorrow. But you can read Pitchfork’s top Record Store Day Releases by clicking here.

Hmmm... trippy sound effects, a slick guitar riff quietly sneaking around the bush and lush vocals … The Black Keys' new tune (the title track from their forthcoming Turn Blue) isn't half bad. I just may be tricked into hearing more. Could this be a change of heart or a momentary lapse of judgment? I don't know, but it's one good ditty. I'm impressed, Keys. The tune should tide fans over till May 13, when the album hits stores. Preach on!

Play Youtube Video
The Black Keys - “Turn Blue”

I'll admit that the only reason I decided to write about this follow-up item is because Kelley Deal is involved. Sure, everyone knows about her sister Kim (Pixies, Breeders, Amps, etc.), but Kelley Deal is a good songwriter in her own right. Check out The Kelley Deal 6000 if you haven't yet. Now Deal is featured on a track by Motel Beds (“Tropics in The Sand”). It's supposed to be on a split 7-inch that'll be out on Record Store Day, but you can hear the track over at Stereogum if you don't plan on participating. Cause why would you do that anyways?

The only stuff I've heard from The Pains of Being Pure at Heart were tracks on a compilation album I got for free at Austin City Limits. And I don't even remember the names of the songs; that's how out of touch I am. But they've shared a new track via SoundCloud, and if I can describe it in one word: cute. It doesn't hit hard like Bass Drum of Death, but it's not overtly twee like She & Him. It holds a nice place in the middle. Let's call it cute without the “e.” Wait, that spells “cut.” That doesn't work. Just listen to the damn thing.

Well this just seems to be a good week for streaming albums in full ahead of their release dates. You can head over to NPR to listen to Kelis' new record Food. And you can head over to The New York Times to listen to Eels' The Cautionary Tales of Mark Oliver Everett. And then head over to Consequence of Sound to listen to Nas' Illmatic XX reissue. Thank your kind publications for letting you get a sneak peak before you go purchase these albums … assuming you will actually purchase them.

If you ever wanted to see Josh Homme of Queens of the Stone Age play a disappointing gay man … here's your chance.

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Film

Alibi Midnight Movie Madness Presents: Rotgut

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When Alibi film editor Devin D. O’Leary (yup, that’s me) isn’t busy writing about movies or talking about movies on “KASA-2 Style” or hosting Midnight Movies at the Guild Cinema, he occasionally finds time to actually make them. Recently he (that is to say “I”) wrote and produced the horror-comedy Rotgut. Shot right here in Albuquerque with a local cast and crew, the film is finally getting its long-awaited World Premiere. The low-budget gala event will take place this Friday and Saturday, April 18 and 19, at the Guild Cinema (3405 Central NE) starting at 10:30pm. Tickets are $8 general admission and $6 students. The cast and crew will be there to participate in a post-film Q&A/meet-and-greet. To give you a little taste of what demented entertainment you’re in for, check out the trailer above.

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Alibi Picks

Universal Sound

UPDATE 4/18/14, 4:35pm - According to OM's Facebook page, this performance is unfortunately CANCELED.

Local heavy metal legend Al Cisneros brings his dark, droning psych-rock collaboration with Emil Amos, an eldritch thing called OM, to the stage at Sister (407 Central NW) tomorrow night. Cisneros, of influential doom band Sleep, and Amos—who also drums in PDX post-rock outfit Grails and conjures soundscapes with Alex Hall in Lilacs & Champagne—are well known in both these parts and the metal universe for generating sounds that are massive, entrancing and louder than goddamned hell.

OM takes its moniker from the Hindu concept for the sound the universe makes; if that descriptor is anywhere near the ensemble’s musical truth, then this world’s vast emptiness is a triumphantly noisy affair that careens between chaos and transcendence. Robert Lowe's contributions to the band’s latest release, Advaitic Songs, and touring efforts add a shimmery crunch to OM’s cosmically unpronounceable, sonically arcane journey. But why read words that attempt to describe something all-at-once too simple and complicated to make words out of ... when you can take the trip yourself for 10 bucks. Opening act Watter—featuring Britt Walford of Slint and Grails' Zak Riles—takes the stage at 10pm, and this show is 21-plus. Sister • Sat Apr 19 • 10pm • $10 • 21+ • View on Alibi calendar

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