He stood under the spotlight in front of 150 audience members at UNM’s Student Union Building. He cleared his throat, tugged at his short, lacy black dress, straightened his tights and grabbed the microphone with painted fingernails. “Ladies and gentlemen, please welcome to the stage, Ruby Sanchez.”
Abandoned cats cluster and form colonies in Albuquerque neighborhoods. The unfixed felines mate; the population grows exponentially. Without adequate food, they lead short, violent lives.
Dateline: Denmark—Warehouse staff at the Carlsberg brewery in Copenhagen staged a series of walkouts last week in protest of a new company policy limiting beer-drinking at work to just lunch breaks. Jens Bekke, a spokesperson for Carlsberg, told England’s Sky News, “We think times have changed and we need an alcohol policy that is accepted by society—93 percent of Danish companies have an alcohol policy.” Last Wednesday, beers were removed from all refrigerators at the brewery. “The only place you can get a beer in future,” said Bekke, “is in the canteen at lunch.” In response, 800 workers walked off the job. By Thursday, at least 250 remained off the job. The Confederation of Danish Industry and trade union 3F agreed the strike was illegal and would impose fines on workers. Although warehouse staff is now on the wagon, drivers for the brewery are still allowed “up to three” beers a day outside of lunch hours. According to Bekke, alcohol locks on Carlsberg’s delivery trucks prevent the drivers from drinking too much and getting behind the wheel.
The White Sands International Film Festival kicks off this Thursday, April 15, in Las Cruces. Among the local features screening are Justin Evans’ action thriller A Lonely Place For Dying and Rod McCall’s coming-of-age drama Becoming Eduardo. There’s also a wealth of New Mexico-shot shorts, like Luke Fitch’s sci-fi drama “Black Gold 2051,” Paul Porter’s postapocalyptic tale “Res Q” and Wes Studi’s horror comedy “Good Night, My Zombies.” In addition to the 18 features and 26 shorts being screened at the sixth annual festival, there are several panel discussions featuring filmmakers, actors and other industry professionals. For a complete schedule of screenings, workshops and parties, log on to wsiff.com.
I didn’t go to the show when The Ettes played at a free bar Downtown early last year. The Nashville-based band wasn’t on my radar anyhow, so I felt no regret about missing it ... until a week later when I finally opened the 12-inch record that a friend, knowing I would like it, had bought for me at the show as a souvenir. Bright yellow in color, the LP—2008’s London-recorded Look At Life Again Soon—contained 11 distortion-heavy, ’70s glam-tinged tracks of female-fronted rock and roll. Since then, that record—now a prized possession—has received heavy rotation by me at home and in public drinking establishments.
The scary little people hidden in the trees want to you know that Monday, April 19, sees performances of animal-sound music and different forms of drone by Infinite Body, EARN, Lab Rat and Postcommodity. The show begins at 8 p.m. at Thundermind Corrective, and for $5 you might find out what “intense loud doom drone” means. (Jessica Cassyle Carr)
ARIES (March 21-April 19): Photons work hard to get from the heart of the sun to the surface. They can take up to 160,000 years to complete the 400,000-plus-mile journey. And yet once Earth-bound photons get topside, they travel the 93-million-mile distance to our planet in just over eight minutes. I foresee a metaphorically similar situation unfolding in your life in the coming weeks. A development that has been a long time in the making will accelerate tremendously in its last phase of ripening.