James Franco books a return trip to Oz in Sam Raimi’s fantasy prequel
The massive success of Tim Burton’s Alice in Wonderland three years ago kicked off an at-times wearying string of fairy tale updates (Red Riding Hood, Snow White and the Huntsman, Mirror Mirror, Hansel & Gretel: Witch Hunters, Jack the Giant Slayer, ABC’s “Once Upon a Time”). That film’s $330 million domestic box office certainly incentivized Disney to come up with more family fantasy reboots. Oddly enough, instead of dipping into the deep well of already Disneyfied fairy tales, the company has decided to go with a story made famous by crosstown rivals at MGM.
“Vikings” on History Channel
An Alibi mega-scene report
Anatolia Doner Kebab Restaurant
Intimate biopic finds cinematic son hunting musical father
David Snow & Dan Garrett Join Forces in Downtown Space
Theater of the Fates
It began at an art party when two friends were overtaken by the music, the movements and the camaraderie surrounding them. Like a hippie commune-induced acid trip, they started projecting their minds’ reaction to what was going on around them on a piece of paper and by playing music.
Ring of Fire on Reelz
Reelz Channel, still testing the boundaries of its slogan “TV About Movies,” decides maybe it should try invading Syfy Channel territory with its new mini-series, the disasterrific Ring of Fire. Like every Syfy movie that doesn’t involve an oversized monster mashup (Sharktopus or Boa vs. Python), Ring of Fire features an environmental disaster, a bunch of vaguely familiar TV stars and lots of CGI. Reelz takes it to the next level, though, offering us full-fledged C-list stars (sorry Debbie Gibson and Dean Cain), some more expensive CGI and a couch-busting four-hour runtime.
How local breweries and food trucks serve each other
Thai Vegan dishes in a new location
Allay hybrid anxiety with Cabinet of Curiosities
Polarizing issue of immigration has its origins exposed in historical doc
“Red Widow” on ABC
Poor Marta Walraven, she’s a harried wife and mother. Her youngest son just got expelled for bringing a handgun to school. Her parents are acrimoniously divorced. Her dad is an infamous Russian mobster. And her criminally entangled husband just got murdered. Her one advantage is the fact that she’s played by sinew-powered actress Radha Mitchell (Silent Hill, Pitch Black, High Art).
“Everything was destroyed, see?” says Chris Keller, the protagonist of Arthur Miller’s All My Sons, as he recalls to his fiancee, Ann, his experiences in World War II. “But it seems to me, that one new thing was made. A kind of ... responsibility. Man for man.”