While Judd Apatow has been building an unstoppable empire of hilarity over the last few years, David Wain and his pals have quietly assembled their own insular but dedicated cult of comedy. Shows like “Stella” and “Reno 911!” and movies like Wet Hot American Summer and The Ten have put Wain in regular contact with a stable of fine comedic performers. So far, though, mass appeal has eluded Wain and his chuckle pals.
Role Models, the latest writing/directing effort by Wain, is a rather blatant attempt to crack the mainstream. That might come as something of a disappointment for fans of Wain’s edgier efforts (like The Ten, for example). While the straightforward buddy comedy of Role Models is unlikely to garner the same rabid (and deserved) fanbase as the straight-faced teen sex parody Wet Hot American Summer, the film is packed with enough big laughs to amuse a wide range of audience members.
Against their better judgment, they opt for the second. That sends them to Sturdy Wings, a Big Brothers-type program led by enthusiastic nutcase Gayle Sweeney (Jane Lynch, another Wain collaborator). Naturally, the boys are assigned the two most troubled kids in the program. Wheeler is brothered up with foul-mouthed little troublemaker Ronnie (Bobb’e J. Thompson from “Human Giant”). Danny, meanwhile, is stuck with dorktacular Augie (Christopher Mintz-Plasse, previously immortalized as McLovin in Superbad). As expected, their early interactions are disastrous; but our juvenile adults soon bond with their young charges. Wheeler teaches Ronnie the fine art of booby appreciation, while Danny sacrifices his dignity to participate in some good, old-fashioned LARPing (that’s Live-Action Role Playing for those of you with girlfriends).
The standard wise-
Role Models isn’t a clever film. The script sticks to its high concept plot like glue, barely giving its main characters room to breathe and shortchanging most of its supporting players to boot. (Girlfriend Banks, for example, barely registers.) Still, it makes with the funny, generating far more laughs than you’d expect from--for example--Lynch’s salacious handling of a bagel dog. Sure, the people who formed legendary L.A. improv group The State (Wain, Kerri Kenney-Silver, Joe Lo Truglio and Ken Marino, all of whom are present here) are capable of generating much more subversive material. But it’s no crime to rest on your laurels, take a paycheck from a major studio and pump out a good wiener joke now and again.