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 V.14 No.26 | June 30 - July 6, 2005 

Reel World

The History of Shooting—The KiMo Theater Art Gallery, located in downtown Albuquerque, has teamed up with the Duke City Shootout to present a quirky multimedia exhibit dedicated to the homegrown film festival's history. For five years, the Shootout--previously known as Flicks on 66 and DigiFest Southwest--has challenged writers, directors, actors and editors to shoot, edit and premiere a short digital film in just one week. The KiMo's multimedia exhibit will feature a continuous roll of cinematic shorts and documentary footage from previous years. “The Duke City Shootout: Photographs, Films & Commentaries” opens on Friday, June 1. Continuous showings of the festival's best cinematic shorts, photographs by festival shooters John Maio & Jim Klukkert and insightful commentary by critics, survivors and other ne'er-do-wells should get your appetite properly fixated for this year's Duke City Shootout, taking place July 22-30. Log on to www.dukecityshootout.com for more info.

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George A. Romero’s Apocalypse Now

Film Review

George A. Romero's Land of the Dead

The living dead are back in town and ready to chow down

These days, there are two camps of horror movie fans: those who speak in reverent tones about past masters of the genre like George Romero, Tobe Hooper and Dario Argento and those who had no idea that recent films Dawn of the Dead and Texas Chainsaw Massacre were remakes. Believe me, I've had my tent set up in the first camp for a long time and treat everyone in the second camp with the same disregard I reserved for those dorks at Hummingbird Music Camp when they dragged me and all the other prepubescents at Camp Shaver over for stupid “recitals.” Clueless bastards.

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‘I’m gonna shoot me some aliens.”

Film Review

War of the Worlds

E.T. goes bad in Spielberg's scary new space flick

After introducing the world to the ugly-cute aliens of Close Encounters and E.T., director Steven Spielberg vowed never to create a film with evil space invaders. But in the wake of 9-11 (and a host of crappy alien films like Signs), Spielberg decided it was time to give the world a dose of scary spacemen. Surprisingly, he turned not to his legendary long-unfilmed “Hopkinsville Goblins” project (based on the “true story” of a Kansas farmhouse besieged by nasty green men from space), but to the classic work of British sci-fi writer H.G. Wells.

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Film News

Summer Slump

Summer movie season is in full swing, and the box office is broken down

The first serious sign of trouble, a dark disturbance in the Force, came in the third weekend of May. George Lucas' long-awaited final film in the Star Wars saga, Revenge of the Sith, debuted with record-breaking numbers. The film hauled in $158.4 million in its first week of release. The film's Friday-Sunday numbers ($108.4 million) made it the second biggest movie debut in history, right behind 2002's Spider-Man. ... And yet, it wasn't enough for the American box office to break its (then) 12-week slump.

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Idiot Box

Dance This Mess Around

“Dancing With the Stars” on ABC

What is it, America? Heat stroke? Mad cow disease? West Nile virus? C'mon, I'm just looking for a rational explanation as to why you've gone and made the D-list-celebrities-do-salsa series “Dancing With the Stars” the runaway smash hit of the summer. ... Paint fumes? Is it paint fumes?

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Week in Sloth

The Week in Sloth

Highlights from around the dial. Except no one has dials anymore.

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