Drive-In Movie?--This Friday and Saturday night, Sept. 1 and 2, Albuquerque-based filmmaker Rob Kellar (co-director of Collecting Rooftops) will be screening his new film Carjacked at the Guild Cinema in Nob Hill. The screening will take place at 10 p.m. on both nights. Kellar’s feature-length thriller follows the story of a man (Chris Payne) who has been carjacked at gunpoint and forced to do harmful things to himself and others in order to save his own life. Carjacked was shot on 16mm color film for a penny-pinching $20,000. Kellar will be on hand both nights to discuss his experiences shooting low-budget films here in New Mexico. Tickets are $7 at the Guild Cinema (3405 Central NE).
Let me start this off by stating that I love me some bad movies. In fact, I adore them. Pop The Beastmaster into the ol’ DVD player, slap me down on the sofa with a big-ass bag of Orville Redenbacher and my lady at my side, and I’m one happy sonuvabitch. What I don’t like, however, are shitty movies. What’s the difference? you might ask. Well, the way I see it, a bad movie shows some heart--you can have some fun watching it. Sure, the acting sucks and the effects are crap, but they still manage to be entertaining. Shitty movies, on the other hand, are mind-numbingly dull and pointless. The only fun you get out of these is when you pop ’em out of the player and fling ’em into the ceiling fan. Basically, if you aren’t entertained on some level--what’s the friggin’ point, right?
Perhaps I'm being a bit culturally insensitive, but I've never thought of the British Isles as a source of movie action heroes. Sure, Scotland gave us Bond Man Numero Uno Sean Connery—but even Connery was a bit more of a suave gadget man than a Sylvester Stallone, strip-to-the-waist-and-rip-out-someone's-esophagus type. When I think about the island of Hong Kong, I think of Jackie Chan. When I think about the island of Britain, I think of John Cleese. That's just not a fair fight. But in 2002, London-born tough guy Jason Statham flipped the script, delivering a knockout performance in the dim-witted, but thoroughly entertaining martial arts flick The Transporter.
When United Paramount Network and The WB closed up shop at the end of last season, uniting their efforts to create the singular “CW” network, it left a lot of television stations pondering their fate. Locally, for example, KWBQ-19 became the new CW standard-bearer. But where did that leave sister network KASY-50, the former UPN affiliate? Out in the cold, it would seem.