The majority of film festivals, be they in the rarified air of Park City’s Sundance or the bustling business atmosphere of France’s Cannes, strive to bring dignity and respectability to the art of cinema. Silver screen legends like Catherine Deneuve and Liv Ullman are installed as judges, filmmakers like David Lynch and Wong Kar-wai are given awards, and distributors strike up bidding wars looking for their next international art house hit.
He’s Back (The Man Behind the Mask)--OK, so that unforgettable Alice Cooper tune was actually the theme song to Friday the 13th Part 6: Jason Lives. Only a hardcore horror film afficionado would know that, of course. And if you’re one of those, you need to get out to the Cottonwood Starport Theater this week for a special presentation of the original Nightmare on Elm Street. On Wednesday, Sept. 20, and Thursday, Sept. 21, a brand-new, remastered cut of the film will screen in 124 select movie theaters across the country. The screening is a prerelease teaser for the spiffed-up special edition Infinifilm DVD version. In addition to the thrill of seeing this horror classic on the big screen in High-Definition and cinema surround sound, fans will also be treated to a new exclusive feature--“Freddy's Best Kills,” a montage of Freddy Krueger’s gruesome kills throughout the rest of the Nightmare on Elm Street franchise, including sequels 2 through 6, plus Wes Craven’s New Nightmare and Freddy vs. Jason--that can be seen only in theaters during this special event. Screenings start at 8 p.m. both nights. Tickets are available online at www.bigscreenboxoffice.com or at the box offices for $10.
Embroiled, as we are, in the midst of a thoroughly confusing and morally ambiguous war, it’s quaint and a bit reassuring to allow ourselves a flashback to a simpler time when men were men, wars were noble and killing foreigners was just the right thing to do. The producers of Flyboys may have taken this idea a bit too far, however.
Every fall, I await with a certain amount of dread the influx of new shows about doctors, lawyers, cops and forensic examiners. Since the success of serialized dramas like “24,” “Prison Break” and “Lost,” however, networks have started to think slightly outside the box. This season, for example, we’ll be seeing a whole host of hour-long shows in which people have careers beyond “the big four.” The shows (like NBC’s “Heroes” and ABC’s “The Nine”) seem intent on inventing unusual situations in which to place their cast of characters. That’s no guarantee of quality, of course, but it holds at least the promise of something fresh.