Day of the Woman--Maiden Fest and Sol Arts are celebrating International Women’s Day with “songs to wage peace, poetry and short films.” The event will take place Thursday, March 8, from 6 to 8 p.m. at Sol Arts (712 Central SE). No word on what sort of films will be shown, but I’m guessing they’ll be ... you know, womany.
Over his long career as a cult filmmaker, David Lynch has done some incredibly intriguing films (Blue Velvet, Mulholland Dr.) and some incredibly inaccessible films (Lost Highway, Twin Peaks: Fire Walk With Me). Admittedly, the line separating these two is a razor-thin one. Aside from a couple brief diversions into “mainstream” cinema (1980’s The Elephant Man, 1999’s The Straight Story), Lynch’s films have all been hallucinogenic film noir nightmares filled with freakshow symbolism, nonlinear storytelling and a hazy aura of decayed decadence. Lynch’s new effort, Inland Empire, certainly follows that trend--although I’m still trying to figure out whether it’s of the intriguing or inaccessible variety. Both, I suspect.
Like 2005’s Sin City, 300 is based on a graphic novel by comic book icon Frank Miller. Like Sin City, 300 replicates Miller’s original work nearly panel-for-panel. Like Sin City, 300 is shot in a highly stylized manner, utilizing greenscreens/bluescreens and digitally fabricating the backgrounds on computer. Like Sin City, 300 distills extraordinary violence and blunt sexuality into a man-sized shot of cinematic adrenaline. In other words: Whoa!
If you’ve ever been in an Asian gift shop, brushing past the “Hello Kitty” merchandise in search of delicious, delicious Pocky, then you’ve undoubtedly run across the character Pucca. Despite appearances, Pucca is not actually an offshoot of the all-powerful Sanrio corporation (makers of Hello Kitty, Pochacco, Badtz-Maru and all things übercute). The big-headed cartoon girl in the traditional Chinese garb and the odango atama (“dumpling head”) hairstyle (think Princess Leia) is actually the creation of the South Korean company Vooz. Having conquered the realm of merchandising (T-shirts, dolls, stationary, coin purses, adhesive bandages, cell phone straps), Pucca has made the leap to animation, landing her own cartoon series, currently airing on Toon Disney’s late-night Jetix block.