Basement Films is bringing “Supermarket” to the Albuquerque Center for Peace and Justice on Friday, May 30. What the hell is “Supermarket”? you may ask. It’s “an experimental dose of original electronic music and imagery, delivered in equal emphasis.” Break beats of varying tempos from dub to drum and bass will be mixed with animated and celluloid imagery for a dual-natured assault on the senses. Australian animator/experimental film dude Dan Monceaux will be there jamming out the sequenced beats and collected samples on his retro analogue synthesizers while trippy visual work from Emma Sterling flickers around him. The show gets underway at 8:30 p.m. and will run you a mere $7. An artist talk follows. The Albuquerque Center for Peace and Justice is located at 202 Harvard SE.
What do kids who loved Speed Racer want to play with? Cars? Racetracks? Hell, no! They want a fake cell phone. According to the manufacturer, this plastic contraption “captures the fun and excitement of the Summer 2008 hit movie Speed Racer.” (Boy, that sentence is wrong on several counts.) It’s also described as “a fun way for boys to feel like they are staying in touch with Speed as he prepares to race.” Note to kids: Driving and talking on your cell phone is illegal in most cities.
Actor/director/writer/producer Stephen Chow is a superstar in Asia. His films often outgross those of legends like Jackie Chan. But in America, his works have long divided fans of Hong Kong film into “love him/hate him” camps. Early slapstick-and-sight-gag-filled films like Sixty Million Dollar Man, God of Cookery and Royal Tramp please as many as they annoy. Since the international success of his last two kung fu-based flicks, Shaolin Soccer and Kung Fu Hustle, however, Chow’s popularity in America has risen considerably.
NBC--Executives at the Peacock Network seem to have taken the lessons of the recent Writers’ Guild strike to heart. Earlier this month, as the networks laid out their fall 2008 schedules, NBC offered up a 52-week program strategy featuring staggered launches and premieres throughout the year. Gone are the traditional fall and spring season premieres. In their place are new shows designed to take advantage of NBC’s vaunted “Super Season” of events, including the Olympics and the Super Bowl. Set to debut at some point are “America’s Toughest Jobs” and “Shark Taggers” (both blue-collar reality shows from the makers of “Deadliest Catch”), “Chopping Block” (another reality chef competition), “Crusoe” (drama about a modern-day castaway), “Kath and Kim” (remake of an Australian sitcom), “Kings” (knights, kings and maidens apparently set in modern times), “Knight Rider” (remake of the ’80s classic), “The Listener” (a paramedic who can read minds), “Merlin” (teen-based retelling of the myth), “My Own Worst Enemy” (suburban spy thriller), “Thee Philanthropist” (renegade billionaire tackles global poverty with extreme prejudice) and an as-yet-unnamed spin-off of “The Office.”