Must be nice to be Steven Soderbergh. After kicking off the indie film revolution of the ’90s with sex, lies, and videotape, he went on to helm mainstream hits (Out of Sight, Ocean’s Eleven), Oscar winners (Erin Brockovich, Traffic), existential science-fiction films (Schizopolis, Solaris), micro-budget pay-per-view experiments (Bubble, The Girlfriend Experience) and even a TV series or two (“K Street,” “Unscripted”). Few, if any, filmmakers have had the freedom to build such a diverse résumé. Right now, Mr. Soderbergh could be producing and directing Ocean’s Fourteen and no one would be blinking an eye. Instead, he’s off making a low-budget, digital video action flick starring a first-time actor.
Is ABC’s cross-dressing sitcom “Work It” the worst TV show ever made? Several critics are suggesting so. Me, I tend to doubt it. “Cop Rock” was pretty ridiculous. “Supertrain” was a notably bad idea. “Homeboys in Outer Space” didn’t do the world any favors. I defy any modern human to hunt down and sit through an episode of “She’s the Sheriff.” And despite the fact that 542 people actually subscribe to the “Out of This World” channel on YouTube, it was a brain-meltingly awful show. ... Which isn’t to say that “Work It” doesn’t give each and every one of them a run for their money.