Why We Discuss—Why We Fight, the Grand Jury Prize winner at the 2005 Sundance Film Festival, will begin screening this weekend at the CCA Cinematheque in Santa Fe. The documentary explores the economic underpinnings of the American military and the economic necessity of war. This Saturday, March 11, directly following the 7 p.m. screening, there will be a panel discussion featuring Col. Richard Rael (commander of the 515th Corps Support Battalion in Operation Iraqi Freedom II), William Morgan Stewart (Time magazine bureau chief in the Middle East), Zelie Pollon (cofounder of the Independent Press Association), David Bacon (Green Party 2002 gubernatorial candidate) and Alex Rubin (UNM assistant professor). Tickets for the screening, panel discussion and reception are $10. Donations will be accepted at the reception to benefit Veterans For Peace. The CCA Cinematheque is located at 1050 Old Pecos Trail. Tickets can be reserved by calling the CCA box office at (505) 982-1338.
Failure to Launch
Occasionally, moviegoers like to play a game called “What the hell is wrong with film critics?” In this game, they attempt to figure out what it is that makes film critics so different from ordinary folks. Clearly, people who review movies for a living are a pack of crusty old player-haters. How else to explain the fact that, say, that jerk from the Alibi hated Big Momma's House 2? Big Momma's House 2 was hilarious! It was the No. 1 movie in America! Obviously, the guy hates film and knows nothing about the tastes of the average American.
Depp's historical drama explores all the uses of the word “dirty”
The controversial new Johnny Depp-led historical drama The Libertine hews closely to England's long and proud tradition of Mud, Blood and Horse Crap-style realism. This school of thought believes that the more mud, blood and horse crap you show on the screen, the more historically accurate the film will seem. While The Libertine does look as dimly lit and disease-ridden as possible, it doesn't necessarily translate into a particularly pleasant moviegoing experience.
An Oscar night wrap-up
Now that it's all said and done, let's put aside the minuscule controversies (Crash won! Rap songs are now guaranteed Oscar material!) and look at the actual show. How was the “78th Annual Academy Awards” telecast? In a word (OK, two): rather dull.
The Week in SlothHighlights from around the dial. Except no one has dials anymore.