Go Native on the Big Screen--The Native Cinema Showcase at the CCA Cinematheque in Santa Fe will kick off its sixth year this Thursday, Aug. 17. This celebration of indigenous media arts features groundbreaking films and videos by and about Native people. Thursday night begins with a focus on producer/writer/director Paul M. Rickard at 7 p.m. at CCA. Following a screening of two shorts (”Winter Chill,” “Aboriginal Architecture, Living Architecture”), author Beverly Singer will conduct an on-stage interview with the filmmaker. At 7:30 p.m. there will be a free screening of Native shorts at the Gary Farmer Gallery. At 8:30 p.m., it’s an opening night party at CCA Warehouse. Screenings will take place at the Farmer Gallery (131 W. San Francisco) and the CCA (1050 Old Pecos Trail) throughout the weekend. Highlights include The Blossoming of Maximo Oliveros from the Philippines, Mohawk Girls and Johnny Tootall from Canada, Waterbuster and The Snowbowl Effect from America and Views from Maori Country from New Zealand. Log on to www.ccasantafe.org for a complete schedule of films and events. Tickets are $8 general admission, $6 CCA and NMAI members, $5 student and senior members. A $75 Patron Pass includes priority admission to all events and the Filmmaker Brunch. A $40/$35 Festival Pass includes priority admission to all films and the opening night party. For box office info, call (505) 982-1338.
Let the Sunshine in
An interview with directors Jonathan Dayton and Valerie Faris
These days, the “music video helmer-turned-feature director” has become a Hollywood cliché. But Jonathan Dayton and Valerie Faris don’t fit the stereotypical mold. For starters, they’re married. Secondly, instead of picking some hip, quickly edited action flick, the couple settled on the quirky indie comedy Little Miss Sunshine as their debut feature.
Little Miss Sunshine
Quirk-filled comedy/drama takes dysfunctional clan on road to self-discovery
The “road picture” is, in many ways, the kiddy pool of the American filmmaking industry. Countless neophyte filmmakers have tested the waters of Hollywood with the inexpensive, anything-goes formula of a road picture. Pick a character or two, put them in a car and have them drive across America encountering as many random pit stops as they can between point A and point B.
“Who Wants to Be a Superhero?” on Sci-Fi
At first, I was skeptical. I was weaned on comic books. I’ve got a garage full of “Captain America” back issues. I worship Stan Lee as much as the next True Believer. But a TV reality show in which people dress up in dorky costumes and vie for the chance to be America’s next great superhero? ... Well, it all sounded incredibly dorky.
The Week in SlothHighlights from around the dial. Except no one has dials anymore.