Popcorn and Pop Rock--On Thursday, Aug. 24, at 10:15 p.m., the Guild Cinema will host a special premiere screening of two locally shot music documentaries, “Welcome to Wherever You Are: Albuquerque” and “The Oktober People: Spring Crawl 2006.” The films feature live concert footage of Albuquerque bands The Oktober People, Scenester, Skinnyfat and much more. They also arrive just in time to give a sneak preview of the Alibi’s Fall Crawl 2006 (taking place this Saturday). There is a small cover charge of $3 at the door to help support future films and future music gigs here in Albuquerque.
A psychological drama with an emphasis on the “psycho,” Head Trauma is the second film from ultra-indie auteur Lance Weiler. Weiler’s first film was 1998’s The Last Broadcast. That no-budget horror flick received a brief hiccup of publicity for being: A) the first feature to be shot, edited and screened (via satellite) using solely digital technology, and B) a major influence on 1999’s The Blair Witch Project. Honestly, the first designation is the more significant. The Last Broadcast was assembled on home computers for a mere $900, making it an impressive precursor to today’s rampant digital filmmaking scene. (Both Last Broadcast and Blair Witch borrowed a healthy dose of inspiration from 1980’s Cannibal Holocaust, rendering that “who made who” debate a bit moot.)
I’m guessing kids have always liked gross things. I don’t recall too many fart jokes in Peter Pan or an abundance of snot references in the works of Charles Dickens. But that isn’t to say kids in the Victorian era and earlier didn’t appreciate a good gross-out. Boys, after all, are made of “snips and snails and puppy dog tails.” (The original Mother Goose compilation, published in 1916, used the phrase “snaps and snails.” Common variations include “snips,” “slugs,” “snakes” and “frogs.” I don’t know what a “snip” is supposed to be, but most of the other stuff is pretty slimy.)
Does anyone really care about the Emmy Awards? I mean, if you’re a castmember of “Desperate Housewives” you probably do. But is the life of the average American actually affected by who wins Outstanding Guest Actor in a Drama Series? I doubt it.