Writing and Film--“1000 Palabras,” a film screening/discussion, will kick off the National Hispanic Cultural Center’s Women & Creativity festival (a collection of films, concerts, dance performances, book readings, panel discussions and more running March 1-11). “1000 Palabras” is an attempt to interrelate the fields of film and literature. Venezuelan writer Silda Cordoliani (Babilonia, Simon Bolivar: Un Relato Ilustrado) will speak about how the classic 1945 Mexican film Canaima, directed by Juan Bustillo Orohas, influenced her creative process and shaped her work. The screening will begin at 7 p.m. at the NHCC’s Bank of America Theater (1701 Fourth Street SW). Discussion to follow. For complete information on Women & Creativity, log on to www.nhccnm.org.
The Number 23
Dumb script + bad casting x Joel Schumacher = lame
You know what’s scary? War in the Middle East. Rabid junkyard dogs. Current pictures of Britney Spears. You know what’s not scary? Numbers.
The Lives of Others
Downbeat drama proves to be one of this year’s best imports
One of the few small surprises dotted throughout last Sunday’s 79th Annual Oscar telecast was that the obscure German film The Lives of Others (Das Leben der Anderen) surged past its category’s most high-profile entrant, Guillermo del Toro’s Pan’s Labyrinth, to nab the Best Foreign Language Film award.
By the Numbers
“30” versus “60” on NBC
When this particular TV season started, back in September/October, NBC raised eyebrows for programming not one but two shows about the behind-the-scenes action at a “Saturday Night Live”-esque sketch comedy. One, “Studio 60 on the Sunset Strip,” was an hour-long drama by TV wunderkind Aaron Sorkin (“The West Wing”). The other, “30 Rock,” was a half-hour sitcom by former “SNL” writer Tina Fey.
22 Jump Street at UNM Student Union Building, Atrium (ground floor)
After making their way through high school (twice), big changes are in store for officers Schmidt and Jenko when they go deep undercover at a local college.
Taxi Driver (1978) at KiMo Theatre
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