May 3 - 9, 2007 

Reel World

By Devin D. O’Leary

Vaudeville on FilmOn Saturday, May 5, from 2 to 3 p.m., stage-to-screen historian Frank Cullen will give a presentation/lecture on “Film Roots” at the Albuquerque Public Library Auditorium (501 Copper NW). The presentation will cover the world’s first mass market entertainment, Vaudeville, through to its immediate successor, motion pictures. Cullen is the author of Vaudeville Old & New: An Encyclopedia of Variety Performers in America and founder of the American Vaudeville Museum. “Basically, without Vaudeville, film would not have been the industry it was,” argues Cullen. “Vaudeville supplied the pillars of the business: the venues, the distribution network, the talent, the publicity machine, the trade papers.” Cullen’s lecture is free and open to the public and leads directly into ...

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Film Interview

The Other Conquest Conquers America

An interview with writer/director Salvador Carrasco

By Devin D. O’Leary

These days, Mexico City-born filmmaker Salvador Carrasco is an instructor at the Los Angeles Film School. Back in 1998, he made his feature film debut with the epic historical drama The Other Conquest (La Otra Conquista). At the time of its release, it became the highest-grossing Mexican film in history.

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“See, it was a gun in my pocket.”

Film Review

Black Book

Verhoeven goes from Hollywood to Holland to make war sexy once again

By Devin D. O’Leary

Paul Verhoeven is a strange cat. The Dutch director started out his career with a wealth of well-received European films, including the 1977 Golden Globe-nominated Soldier of Orangean unflinching look at the Nazi occupation of Holland during World War II. A decade later, Verhoeven kicked off his Hollywood career with a bombastic string of hitsfrom 1987’s RoboCop to 1990’s Total Recall to 1992’s Basic Instinct to 1997’s infamous career-crusher Showgirls. Add another 10 years to Verhoeven’s resumé and we arrive at 2007’s Black Book (Zwartboek), a modestly budgeted indie drama shot back home in the Netherlands.

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Idiot Box

Strike one?

What a WGA strike could mean

By Devin D. O’Leary

The last time the Writers Guild of America went on strike was 1988. The strike lasted more than 5 months and paralyzed Hollywood, forcing TV networks to pack schedules with unscripted news shows and pushing film studios to release films three to six months later than expected. In 2001, the Guild threatened to strike again over upcoming contract negotiations, but the work stoppage was narrowly avoided. Now, with contracts once again up for renewal, Hollywood is whispering the “s”-word, and it’s got some people nervous.

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Week in Sloth

The Week in Sloth

Highlights from around the dial. Except no one has dials anymore.

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