The People Before Profit film/lecture series rolls into the Albuquerque Peace and Justice Center on Thursday, Sept. 20, with a free screening of Who Killed the Electric Car? This eye-opening documentary plays out like a carefully scripted conspiracy thriller, exploring why the once-promising electric car has gone the way of the dodo. (Like an Agatha Christie novel, there are no shortage of suspects.) Guest speaker Marcus Page will be on hand, talking about converting cars to biodiesel. Donations, of course, are welcome. The Peace and Justice Center is located at 202 Harvard SE.
The other shot-in-New-Mexico feature hitting theaters this weekend is a decidedly lower profile, lower budget affair than Paul Haggis’ In The Valley of Elah (see the other film review in this issue). Filmed in 2001 and finally earning itself an art house release, Tortilla Heaven is a more markedly “New Mexico” film, a broadly comic morality play about small-town Southwest life.
Writer/director Paul Haggis follows up his Oscar-heavy string of assignments (Crash, Million Dollar Baby, Letters from Iwo Jima) with the quietly controversial, war-weary mystery In The Valley of Elah.
“Torchwood” is the BBC’s officially sanctioned, adult-oriented spin-off to “Doctor Who.” Originally launched in 1963 as a sci-fi-slanted kiddy show, “Doctor Who” got the latest in a long line of reboots in 2005 courtesy of head writer/executive producer Russell T. Davies. Having served previously as writer/producer on “Queer as Folk,” Davies brought a rather more mature style to the long-running BBC series. Thanks to the popularity of his work on “Doctor Who,” the BBC let Davies run wild with “Torchwood.”