Seven filmmakers handpicked from around the country had seven days to shoot, edit and premiere 12-minute screenplays. Now the race is over, and the public's invited to see what the contestants came up with. On Saturday, Aug. 2, the Shootout will screen all seven movies at the Kiva Auditorium (in the Convention Center). The winner from the New Mexico 48 Hour Film Project will also screen at this event (see this week's feature for more details). Tickets cost $19 and include an awards ceremony after the screenings. After the premieres, head to the Hyatt Regency Grand Ballroom (330 Tijeras NW) for a post-premiere party where you can rub elbows with the filmmakers. For more info and to buy tickets, visit dukecityshootout.com.
The filmmakers grew this melon in our own backyard, so you’ll want to give it the benefit of every doubt. Unfortunately, at the end of a brief runtime that feels much longer than it should, I had to admit this just isn’t a good movie, even by my-buddy-shot-and-edited-the-whole-thing-over-the-weekend standards.
It’s no secret that I have always been a fan of the great cultural contributions made by the French. From their ticklers, fries, toast and kisses to the ménage à trois, the French have always known how to up the ante in an otherwise dull world. So it’s no surprise that when it comes to horror films, the French just can’t help but put their own special twist on the genre. If you don’t believe me, I suggest taking a minute to seek out films like Irreversible, Haute Tension and Ils for a crash course in modern French horror. (And for those feeling a little old school, you can never go wrong with Eyes Without a Face or Man Bites Dog.)
Choosing the best in television is easy, as there’s not much competition. Determining the worst, however, takes a real commitment, akin to testing the efficacy of thigh-high waders in a lake of waste; you have to wade through a lot of shit.