Cinematic Superheroes and Box Office Bozos
A look back at the winners and losers of summer 2012
The last day of summer hits Sept. 21. But for most folks, the season has a Memorial-Day-to-Labor-Day symmetry to it: 15 glorious weekends to luxuriate in swimming pools, ice cream trucks and air-conditioned movie theaters. For the box office, however, summer petered out weeks ago, coming to a dead stop the weekend after The Bourne Legacy got released and limping forward for another three weeks on cheap-ass horror movies (The Apparition, The Possession). So, now that it’s all over, who triumphed and what got marked as a tragedy in the dog days of 2012?
Huh. Apparently, Mark Wahlberg will spend September shooting not one, but two movies in our fair state. Aside from the based-on-a-comic-book cop drama 2 Guns (with Denzel Washington), Wahlberg will also star in the based-on-a-true-story war drama Lone Survivor.
The Week in Sloth
Highlights from around the dial. Except no one has dials anymore.
“The New Normal” on NBC
TV writer/producer/director Ryan Murphy has had a solid run of it. He went from “Popular” to “Nip/Tuck” to “Glee” to “American Horror Story.” Now, he’s trying his hand at sitcoms with “The New Normal.” Murphy’s never shied away from humor, but he’s always had the hour-long format to play in. That’s allowed him plenty of room in which to shoehorn his trademark social criticism. “Glee,” for example, has about a 1:1 song-to-sanctimonious-speech ratio. Clocking in at a network-standard 22 minutes, “The New Normal” doesn’t leave a ton of room for the funny. But Ryan’s working on it.
22 Jump Street at UNM Student Union Building, Atrium (ground floor)
After making their way through high school (twice), big changes are in store for officers Schmidt and Jenko when they go deep undercover at a local college.
Taxi Driver (1978) at KiMo Theatre
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