A big thanks to Showcase participants and attendees
Winners and nominees—23 of them— rocked over a thousand attendees at five venues on March 24, 2018. It was a blast and we’ll see you at next year’s shindig. Here for posterity (and your browsing pleasure) are the winners and runners-up.
With so many great culinary choices available in the Duke City, it is a wonder that not all Albuquerqueans are fat—or fatter. Since I rarely eat at home (due to code violations I have yet to straighten out with the city), I have a unique opportunity to seek out some of our lesser known eateries. Here is a short list of eating "success-a-pees" (recipes for success!).
It seems like anything's negotiable these days. Say, for example, you're so far behind on your water utilities that, in lieu of paying off the debt, you cut a deal with the city to demolish the property instead.
Punked. Immediately following last week's presidential debate, Ken Mehlman, George W. Bush's campaign manager, convened a teleconference with GOP "team leaders" around the country to discuss strategy. An unknown fact to Mehlman, however, was that an Internet blogger named Atrios had circulated the event's phone number and password on his website. And who reads blogs more than other bloggers, right? After Mehlman talked about Kerry's "credibility gap," he offered to take three questions. According to Jack Pine Savage, one of the bloggers who listened in, the first question came from a "young Republican in Washington." The woman announced she thought Kerry won the debate and was now going to vote for him. The second caller, another woman, said Kerry would make a worthy Commander in Chief and the third call criticized Bush for playing-down al Qaeda. "Mehlman apologized to the Bush supporters listening and acknowledged that the call had obviously attracted some Democrats," wrote Savage on his blog.
In less than a month, the nation will elect (or re-elect) a president. Everybody and their monkey is speculating on the outcome of that horse race, so why not look little further down the political road?
The week before last Thursday night's first of the 2004 presidential debates we heard a lot about the limitations of this tightly packaged quadrennial ritual: how it isn't truly a debate, simply an opportunity for multiple sound bites; how it is highly unlikely to ever produce a clear-cut winner or loser, and so on.
Dateline: Japan—According to the Shukan Gendai newspaper, an inventor has come up with a cell phone ring tone that will increase a woman's breast size. Hideto Tomabechi, who first made a name for himself in Japan by deprogramming brainwashed members of the AUM Shinrikyo doomsday cult, says, “Most would think it's a lie, but the techniques involved in the process have been known for some time and are the result of research I carried out in the '80s and '90s. I use sounds that make the brain and body movie unconsciously. It's a technique involving subliminal effects.” Amazingly, more than 10,000 people have scrambled to download the ring tone in its first week. “I listened to the tune for a week expecting all the time that I was being duped,” Chieri Nakayama, a 19-year-old pinup model, told Shukan Gendai. “But, incredibly, my 87-centimeter bust grew to 89 centimeters! It was awesome!” Tomabechi says he's already got plans for ring tones that improve memory, reduce baldness, help people quit cigarettes and increase attractiveness with the opposite sex.
It's a pot scrubber! In last week's Alibi, I asked readers to identify a mysterious object that Film Editor Devin D. O'Leary had unearthed at a yard sale. With a riveted metal handle attached to a wide mesh made of linked metal rings, it had confounded us for weeks. Suggestions from readers poured in, most of them guessing that it was a rug beater, something we were sure was impossible; the thing was just to flimsy to be any good at beating dust out of a sturdy rug. But two astute readers (first Susie Rodee and later, Jerry Monarch) e-mailed within hours of each other to identify the utensil as a vintage pot scrubber, specifically for dredging bits of food from the bottoms of cast iron pans. Once we had this lead, it was easy to confirm. A simple eBay search revealed two similar items and one nearly identical. The good news is that we estimate the pot scrubber to be from about the '30s and, according to eBay, it's worth about $20. The bad news is that O'Leary refused to part with the thing and now I have to go buy one on eBay. The whole search and discovery was fun, though, so I'll be posting more mystery gadgets and giving out more prizes in the near future.
Looking for a really special piñata for your next party? Wouldn't you just love to ram your fist up Dick Cheney's throat and stuff him full of candy or cram Dubya's noggin with mini bottles of Jim Beam? Well now you can. Two local artists have begun crafting their own smashable papier-mâché effigies of our lovable leaders. Bush costs about $50 and Little Dick costs $30 or $75 for the pair. Buy two. Give one to the dog! Make sure someone's videotaping and you'll be able to enjoy the event over and over again. The creators, Crash and Jada, make each piñata to order and they can custom-make pretty much any shape you want, from football helmets to Frankenstein heads to sacred hearts. To get your own, call Crash at 401-8794.
With election season upon us, it's time to get serious about voting. But forget the race for president just now; I'm picking winners in the world of wine. I've offered up several deserving of high office, hoping you consider them for your drinking pleasure. (Note: These winners were chosen from tastings over the past year. Prices are approximate.)
More than 50 famous bakers share recipes in a book to benefit hunger-fighting group Share Our Strength
By Gwyneth Doland
Michael J. Rosen is an author, editor and illustrator who is also a member of the national board of Share Our Strength, a hunger-fighting agency that works closely with the food, restaurant and kitchen supply industries to raise funds for their efforts. Last year, Rosen released Cooking from the Heart, a volume of collected recipes from 100 high-profile chefs who contributed dishes that were closest to their hearts. Share Our Strength receives a portion of the proceeds from that book and this follow-up, Baking from the Heart (Broadway, hardcover, $29.95). Since the recipes in this book come from professional bakers, it could have easily become a pretty but rarely used volume that collected dust on a shelf. But Rosen managed to procure from these chefs recipes that are more likely to be familiar to your grandmother than they are to grace the cover of Modern Pastry Chef. There are gingerbread cupcakes, plum tarts and fudge brownies, recipes that are relatively simple but definitely show the benefit of a chef's tinkering. They may be brownies, but they'll be the best damn brownies you've ever had.
Bring on the Burley-Q!—This Friday and Saturday night, Alibi Midnight Movie Madness at the Guild Cinema will break from tradition and present a combination film/live performance event known as the “Stag Night Smoker featuring BellaDonna Burlesque.” The event will incorporate beautiful dancers, risqué comedy and naughty old film shorts. Albuquerque's own retro-loving 'teaser troupe BellaDonna Burlesque will be on hand twirling their tassels, and the Guild will be screening historical erotica from the '40s and '50s courtesy of San Francisco's Oddball Film + Video. The show starts at 11:30 p.m. on both nights. Tickets are $8 for this special event and they can be purchased in advance at The Guild Cinema, Martha's Body Bueno or Burning Paradise Video. Seating is limited, so act quickly!
Film festivals work best, perhaps, when they reflect the community around them. In the artsy resort enclave of Park City, Utah, for example, you'd expect to find the quirky, homegrown indies of the Sundance Film Festival. In the exotic European destination of Cannes, France, it's a collection of highbrow international art films that rule the Cannes Film Festival.
Based on a popular Icelandic novel, The Seagull's Laughter is undoubtedly a more powerful offering for those born and raised on the chilly volcanic island. Those separated from the film's subject matter by time and space may not find quite as much to identify with, but--like the island nation that spawned it--it radiates such an unexpected amount of life that most foreign film friendly audiences will at least walk out humming (if not boisterously singing) the film's praises.
Suburbia has been the playground of television at least since the days of “Leave It to Beaver.” Now, ABC (yes, that ABC) has scored itself a critical and ratings hit with “Desperate Housewives,” a nasty shredding of the myth of suburbia in post-Martha America.
Former Naomi co-leader and veteran local musician Jason Daniello—as in Jason & the Argonauts—should have copies of his new CD in-hand in a week or so, according to the smilin' little dude himself. A CD release party is, of course, in the works. Stay tuned for more information in issues to come. ... If you're planning to apply to South By Southwest 2005 Music Festival (March 16-20) in Austin, Texas, the time to start getting your shit together is now. By using their online electronic form you receive a $10 discount on the regular application fee. The fee for online applications made on or before Oct. 8 is $10. The fee for online applications made between Oct. 8 and Nov. 8 is $20. All online applications must be completed by or before Nov. 8. Your application will be acknowledged by e-mail, and all acts will be notified of their status (read: “Yay! You get to play!” or “Sorry, you don't get to play!”) no later than Feb. 9, 2005. Go to www.sxsw.com, fill out an application paying close attention to all the rules and guidelines, then put a package together containing a CD with your original material on it, a photo, biography and press clippings and mail it off. Showcasing acts will receive a choice of $175 ($45 for solo or duo acts, including DJs) or a registration package (one badge along with wristbands for each member of the act). You do not need to purchase a registration badge to apply for or to perform at a SXSW showcase. See, Crawl pay for bands isn't really all that bad after all.
There are few bands that can truly be called “unforgettable”—musicians who bring to the stage a collective sound that's magically timeless, whose music sets in motion a chain of events that resonates in the lives of listeners thereafter into infinity. In Celtic circles, Lúnasa are unmatched when it comes to delivering vibrant traditional music folded into contemporary awareness. Their respect for the music's rich history in concert with their virtuosic technical and arranging skill make listening to them more than mildly remarkable.
with Cave In, Between the Buried And Me and Colin of Arabia
By Michael Henningsen
Thursday, Oct. 7; Launchpad (all ages, 8 p.m.): About 12 years ago, a quartet of angry teenagers got together in someone's Boston garage to take their various shit out on some musical instruments. It wasn't long afterward that the group, now collectively calling themselves Converge, began releasing hardcore albums that spun in all kinds of interesting directions. Using a hardcore foundation as a springboard, vocalist Jacob Bannon, guitarist Kurt Ballou, bassist Nate Newton and drummer Ben Koller leap headlong into the outer extremes of genres spanning metal, thrash, classic punk, progressive hardcore and avant noise. The mix is nothing short of breathtaking, as is made crystal clear on the band's latest platter, You Fail Me (Epitaph).
Considered by many to be among the finest bluegrass and country multi-instrumentalists in history, Ricky Skaggs made his much-heralded return to “pure bluegrass” circa 1997, and has since produced an impressive body of work. But most of it features bluegrass chestnuts by other songwriters. With Brand New Strings, Skaggs ups the ante a little with four contributions of his own among tunes by everyone from Ralph Stanley to Bill Monroe to Guy Clark. Accompanied by his polished band, Skaggs gives peak performances here that come off achingly heartfelt and energetic. A triumph of the high lonesome.
It's always encouraging to see struggling local artists take their creative destinies into their own hands. Case in point: I just received the debut issue of the Donkey Journal. Printed nine times per year, this attractive local contemporary arts periodical comes in the form of a simple folded poster. It's produced by David Leigh, Larry Bob Phillips and Sherlock Terry, three Albuquerque artists who recently opened the nonprofit Donkey Gallery (1415 Fourth Street SE) to exhibit their own art and that of other underrepresented artists.
Stacy Hawkinson's Solo Show at the Downtown Contemporary Art Center
By Steven Robert Allen
Stacy Hawkinson is a big fan of the polka dot. As you walk up the wide stairs just inside the entrance of the Downtown Contemporary Art Center (105 Fourth Street SW), the first thing you'll see are brightly painted Styrofoam balls floating above your head like strange interplanetary fruit. Once you get to the top of the stairs, you'll notice brightly colored dots bouncing through the entire exhibit.
Albuquerque's going to get slammed upside the head next year, when the city hosts the 2005 National Poetry Slam next August. You'll get a sweet little teaser this Saturday, Oct. 9, at 8 p.m. when poet, playwright, journalist and four-time Individual National Slam Champion Patricia Smith comes to the KiMo Theatre. If you love performance poetry, do not miss this event. Smith is universally recognized as one of the greatest spoken word artists on the planet, and she's coming to Albuquerque to raise funds for next year's National Slam. $12. For tickets, call 768-3544.
Barbara Ehrenreich's bestselling 2001 book, Nickel and Dimed: On (Not) Making It in America, chronicled the lives of the working poor in America in a highly effective way. Taking three low-wage jobs for a month each, Ehrenreich tried to make ends meet and soon discovered the task was impossible. Joan Holden has now translated Nickel and Dimed to the stage. A production of Holden's provocative play, directed by the very talented Eugene Douglas, will be staged at UNM's Rodey Theatre beginning this weekend. Oct. 8 to 9 and 21 to 23 at 7:30 p.m., Oct. 10 at 2 p.m. $12 general, $8 seniors, $6 students. 925-5858 or www.tickets.com.
From its humble beginnings as a small gathering of 13 hot air balloons held in the parking lot of Coronado Shopping Center in 1972, The Albuquerque International Balloon Fiesta has become the largest annual balloon event in the world. In its second year, 13 countries represented themselves in the first World Hot Air Balloon Championships at the New Mexico State Fairgrounds, and in the 1978 event, 273 balloons participated.
5:45-6:45 a.m. • Dawn Patrol Show presented by Nextel Communications
The Dawn Patrol began in 1978 when two California balloonists developed position lighting systems that allowed them to fly at night. Dawn Patrol pilots take off in the dark and fly until it is light enough to see landing sites. Fellow balloonists appreciate the Dawn Patrol because they can watch the balloons and get an early idea of wind speeds and directions at different altitudes. On mass ascension days, about a dozen Dawn Patrol balloons perform the Dawn Patrol Show, a choreographed inflation and launch set to music that has been part of the Balloon Fiesta since 1996.
7-11:45 a.m. • Flying Events presented by Coca-Cola
New Mexico Challenge Hot Air Balloon Race presented by Contractor's Bonding, Ltd.-Sandia Casino Black Jack Competition
It's impossible to line balloons up on the starting line and have them race to the finish, but balloonists have come up with some interesting forms of competition. In a ballooning competition, pilots must use the winds at different altitudes to steer the balloon to a target, usually a big "X" on the ground. The pilot then drops a marker from the balloon so that it lands as close to the center of the target as possible. Closest drop wins. On competition days, some balloons take off at Balloon Fiesta Park and fly to targets located north or south of the launch site. Other balloons launch at least a mile away from Balloon Fiesta Park and fly to targets at the park. The overall competition winners are determined by individual pilots' scores over all competition events flown during Fiesta week. The Sandia Casino Black Jack race uses a similar premise, but pilots must drop two markers on giant playing cards laid out on the field and score as close to "21" as possible.
5:45-6:45 a.m. • Dawn Patrol Show presented by Nextel Communications
7-10 a.m. • Flight of the Nations Mass Ascension presented by Continental Airlines
The "international" part of the Albuquerque International Balloon Fiesta has been a tradition since the event's earliest days. In 1973 and 1975, the Balloon Fiesta hosted the World Hot-Air Balloon Championships. The Balloon Fiesta has also played host to the world's two most prestigious gas ballooning events, the Coupe Aèronautique Gordon Bennett (twice, in 1993 and 1999) and the World Gas Ballooning Championships (1994). The Flight of the Nations especially honors pilots from all the nations participating in Balloon Fiesta. The Wednesday mass ascension begins with flights by representative pilots from each country, who launch as their country's national anthem is played, flying their national flag.
7-8 a.m. • Wells Fargo Special Shape Mass Ascension
Special shape balloons are defined as any balloon that doesn't conform strictly to the normal rounded balloon shape. Some shapes are simple—pointed ears and whiskers added to a "regular" balloon to make it into a kitty's head. Others—flying houses, cars, cacti, ristras, bottles, cans, critters and so on—are computer-designed engineering marvels costing marvelous amounts of money. The first shapes appeared at Balloon Fiesta in the '70s, and became increasingly common—and crowd favorites—in the '80s. In 1989, the Balloon Fiesta created the Special Shapes Rodeo to showcase these incredible creations. The special shapes events now include mass ascensions on the Thursday and Friday mornings of Balloon Fiesta, and the "Glowdeo"—a shapes-only glow—on Thursday and Friday evenings.
8-10 a.m. • Flying Events
5:45-8 p.m. • Wells Fargo Special Shape Glowdeo™
8-9 p.m. • AfterGlow™ Fireworks Show presented by the Albuquerque Journal
7-8 a.m. • Wells Fargo Special Shape Mass Ascension
8-10 a.m. • Key Grab Competition
Want to win a car? A lot of balloonists do. Launch at least one mile away from the field, fly to the field, grab the keys off the top of a pole (and get the right set of keys (there are several poles and only one has the real keys), and you get a shiny new vehicle! Simple, right? Wrong! In getting to the field, you have to successfully navigate among the other 700-plus balloons heading for the same spot, not break any rules and use the winds to get to the pole, at the right altitude, at the right time. And you have to grab the keys with your hands—no hooks or other devices allowed. Despite the difficulties, the Balloon Fiesta has given away a lot of vehicles since the event began in 1978. For spectators, this is one of Balloon Fiesta's most watchable, and spectacular events.
5:45-8 p.m. • Wells Fargo Special Shape Glowdeo™
8-9 p.m. • AfterGlow™ Fireworks Show presented by the Albuquerque Journal
Before taking what is hopefully a short break from the live circuit, KI will play a “farewell” show on Saturday, Oct. 2, at the Launchpad with a veritable slew of kick-ass locals: The Dirty Novels, Hit By a Bus, Lousy Robot and Rage Against Martin Sheen. If you miss this one, you'll be missing KI for at least a handful of weeks. ... One of the best local band shows I've seen in ages happened two months ago at the YMCA. It was an all-ages, alcohol-free showcase that featured six local bands—mostly representing the younger set—and it turned out to be a searing testament to local talent. On Thursday, Oct. 7, the Mountainside YMCA will present its second local “Band It Together,” showcase featuring all-local bands at its branch location (12500 Comanche NE) from 7 to 10:30 p.m. Local heroes Unit 7 Drain are slated to headline. Call 292-2298 for more information. ... The world's first entirely online record label, ItsAboutMusic.com, launched five years ago to zero press, but has since grown into a digital entity representing some 200 artists (including Willie Nelson and other big-name acts) whose goal is to get their music to the masses without all the corporate bullshit that comes with major label record deals. At ItsAboutMusic.com, music is sold exclusively via the site, either through shipping CDs to customers or making purchased music immediately available for download. Affiliated artists enjoy wide distribution, CD-on-demand manufacturing and a publicity and promotion department to help push artists wares to the public. For more information, visit www.ItsAboutMusic.com.
Outpost Productions and the Guild Cinema join forces in presenting music-based films throughout October and beyond
From Oct. 4 through 21, the Guild Cinema will be alive with the sound—and sights—of music. Along with Outpost Productions, Albuquerque's only arthouse theater and popular bastion of films the big boys don't have the guts or foresight to play on their corporate-controlled screens will present "Music on the Big Screen," an ongoing series of music-centric documentaries, concert films and cinematic portraits of music makers of every stripe. From jazz pioneers to punk rock legends, "Music on the Big Screen" promises to be a tantalizing event for music and film fans alike. Beginning Monday, Oct. 4, the first three installments in the series will run three to four days each on consecutive weeks in October. The first installment features a trio of jazz-related filmworks.
Friday, Oct. 1; Burt's Tiki Lounge (21 and over, 9 p.m.): What do you get when you cross 13th Floor Elevators' mastermind Roky Erickson and Syd Barrett, the guy who was too crazy to be in Pink Floyd? You get one frighteningly twisted, satisfying stroll through blissed-out psychedelic pop—you get an evening with the Gris Gris.
Tuesday, Oct. 5; Launchpad (21 and over, 8 p.m.): All the background I should really be able to get away with printing in a successful effort to get you to this show goes something like this: “Dave Alvin cofounded the Blasters.” But I wouldn't be doing my job.
In case you aren't through lamenting the loss of Elliott Smith, Earlimart has returned with a second album that's a sad, glimmering shoegaze remembrance of the late singer-songwriter without apologies. The thing is, Treble & Tremble also happens to be one of the prettiest damn records of the year, with its Beatles-esque popcraft and casual nod to lo-fi production techniques. Songwriter Aaron Espinosa drives the music with gentle piano-based melodies, which he leaves to simmer in sheets of low-key distortion and string-induced ebbs and swells. And with his gentle whisper, he does more than justice to Smith's legacy and memory.
"They saw this nut (G.W.B.) on TV and said, ’Whoa, this is like letting a 4-year-old drive a car.'"
By Aja Oishi
You may not want to believe it, but George W. Bush has some strengths. As he told us four years ago, he is a uniter, not a divider. The truth of that statement was more than apparent last Friday, when over 700 punk rockers converged on the Sunshine Theater for the fist-pumping, crowd surfing and political networking that was the Rock Against Bush tour.
How bloggers took down once-mighty CBS and are changing the news business forever
By Greg Payne
In the midst of Rathergate, and prior to CBS's reluctant admission they were pushing fabricated government memos as real, former CBS executive vice president Jonathan Klein sneered, "You couldn't have a starker contrast between the multiple layers of checks and balances [on mainstream media] and a guy sitting in his living room in his pajamas writing." Klein's disparagement of guys writing in their pajamas was intended to put bloggers—the only folks questioning the authenticity of the memos at the time—in their place.
At the Sept. 20 meeting, Council President Michael Cadigan's bill mandating treatment for city employees after a first DWI conviction and firing after a second conviction passed 9-0, as did his bill guaranteeing that vacation and sick leave would accrue normally for city employees on active military duty.
Dateline: Israel—Israel's Health and Agriculture ministries branch in Ashkelon last week seized 80,000 cans of dog food that had been disguised as foie gras for humans. The product, imported from Bulgaria, was originally labeled “chicken for dogs,” but was covered by two different fraudulent labels: “Domestic birds' liver pâté. Producer: S.E. Grenot, France” and “Pâté fois gras. Producer: Lovmit General Toshevo.” Although it is believed the products never reached store shelves, the Health Ministry warned consumers not to purchase products with those names. “The health risks from such a product are considerable,” Shirley Deri, a food engineer for the district of Ashkelon, told the Haaretz International daily. “It could contain microbiological pathogens that are lethal to humans.” The Agriculture Ministry is conducting an investigation.
Wild and Woolly Weekend—Taos Wild Film, a brand new international wildlife film festival, is coming to the northern New Mexico town of Taos for four unique presentations of award-winning wildlife films from around the world. Each film will also feature live wildlife presentations. Screenings will be Friday, Oct. 1, at 7 p.m. and Saturday, Oct. 2, at 2 and 7 p.m. at the Taos Community Auditorium. There will also be a special children's wildlife film show at 11 a.m. on Saturday morning. The event is part of Taos' 21st Annual Wool Festival and will be a benefit for Rivers & Birds' public school water conservation education programs. Advance tickets can be purchased from the Taos Center for the Arts by phoning (505) 758-2052 from 9 a.m. to 5 p.m., Monday through Friday. Tickets are $15 per person or $5 for the special children's show.
It's April 20, 1971, and thousands of men in the prime of their lives, having returned from Vietnam, kneel silently before the gates of Arlington National Cemetery. Their heads tilt downward, their fists clenched in the air. All are dressed in tattered combat fatigues. A sign reads: "Bring Our Brothers Home Now!" Among the group is a mother of a dead soldier, who wants to lay a wreath at his gravesite somewhere beyond the gates. But government security guards, fearing an unpeaceful assembly, refuse her access.
Chilling little thriller doles out shocks with surprising skill
By Devin D. O'Leary
The Forgotten is one of those hard-to-describe, hard-to-categorize films. If I had to give it a single banner, I'd call it a thriller, but it borrows elements from so many different realms. Most folks--certainly based on the trailers--will look on it as an M. Night Shyamalan-style mindbender. Though it shares certain stylistic similarities with Shyamalan's twisty supernatural tales (The Sixth Sense, Signs, The Village), it succeeds in ways that Shyamalan's films have increasingly failed to.
For even the most dedicated viewer, television is a love/hate relationship. For every entertaining series, there are a dozen unpardonably bad shows on the air. Fortunately, many (though certainly not all) of those shows die a swift death. In the past few years, networks have shown little patience with underperforming shows. New series (even admirable ones like FOX's “Wonderfalls”) have been cut loose from the schedule after a couple low-rated airings. Sometimes, that's a shame. (TV aficionados know that “Cheers” underperformed in its first season.) Sometimes it's just a mercy killing. (“The Secret Diary of Desmond Pfeiffer” ring any bells?)
Halloween isn't just for the young, you know. Many adults appreciate a bit of raw blood-curdling terror just as much as the kiddies. During the month of October, Unseen Gallery (108 Morningside NE) will host its Art of the Dungeon exhibit featuring various torture and restraint paraphernalia along with art work on the themes of pain and fear. You'll also find costume pieces, creepy note cards and other ghoulish artifacts on display. As per gallery policy, the really twisted stuff will be draped with a veil so kids or extra sensitive adults won't be directly subjected to anything objectionable. In a deliciously weird twist, the organizers will also be passing around a donation box for Amnesty International. Art of the Dungeon opens Friday, Oct. 1, with an all day cookies and punch reception from 10 a.m. to 6 p.m. Runs through Oct. 30. 232-2161.
It's no small irony that the spiffy new Q-Staff Theatre (4819 Central NE) is located directly across the street from the Hiland Theatre. The Hiland, of course, has served as home to Musical Theatre Southwest (MTS) for years. It's the one place in town where folks can regularly catch productions of hit Broadway musicals.
Have you ever chowed down at El Farol, the tasty Santa Fe tapas restaurant located in that cute historic building along Canyon Road? No? Well, on Monday, Oct. 11, from 6 to 8 p.m., El Farol is coming to Albuquerque. Chef James Campbell Caruso will make an appearance at Bookworks (4022 Rio Grande NW, 344-8139) to promote and sign the new El Farol Tapas and Spanish Cuisine, and, more importantly, he'll be offering scrumptious samples lifted from the book.
When Lorraine Hansberry, author of A Raisin in the Sun, died in 1965, she left behind an unfinished play called Les Blancs, which explored the devastating impact of European colonialism in Africa while also indirectly commenting on race relations in the United States. Hansberry's friends polished Les Blancs up a bit and the play was eventually staged on Broadway. A new production comes to Out ch'Yonda (929 Fourth Street SW) starting this weekend. It'll run Fridays and Saturdays at 8:15 p.m. with Sunday matinees at 3:15 p.m. $7, $10. Runs through Oct. 17. Call 243-4325 to make reservations. Seating is limited.
If you're going to perform an experimental show about a minotaur in Albuquerque, the best place to do it would be the Los Poblanos Fields corn maze. The Readymade Dance Theater Company has been creating innovative outdoor performances at the maze for three years now. This year's show, MinotaurMan, directed by Zsolt Palcza, will be performed over the next two weekends, on Friday and Saturday nights at 8 p.m. $8 general, $6 students/seniors. For more information, call 246-2433 or log on to www.na-da.org.